A work in constant progress (and occasional regress).
Release Date:
March 20, 2024
Original Title:
RAMEN
Genres:
Science Fiction
Ratings / Certifications:
N/A
Runtime: 17
A painter learns that she is losing her sight while working on a major exhibition for her career. After a heartbreaking diagnosis, she accidentally discovers that by trying Ramen at a restaurant, she can travel to the past to prevent it. But each opportunity comes with consequences, and she has to make a decision.
Art Department Assistant:
Luna Acosta
Sherley Matos
Art Direction:
Paulette Polanco
Assistant Costume Designer:
Linette Santos
Assistant Director:
Jesús Villanueva
Assistant Set Decoration Buyer:
María del Mar Lantigua
BTS Photographer:
Dhiara Hernández
Daniela Pons
Best Boy Grip:
Alejandro Batista
Camera Operator:
Rubén Almázar
Denzer Zafra
Syvrel Fuentes
Diego Guerrero
Camera Production Assistant:
René Geraldino
Pedro Bueno
Gustavo Alonzo
Casting Assistant:
Leslie Rodríguez
Sofia Reyes
Casting Director:
Maryluz Silva
Colorist:
Diego Guerrero
Continuity:
María Amelia Díaz
Costume Designer:
Amelia Cruz
Data Management Technician:
Syvrel Fuentes
Director:
Sarai Garcia
Director of Photography:
Syvrel Fuentes
Editor:
syvrel fuentes
Gaffer:
Denzer Zafra
Graphic Designer:
Laura Corona
Grip:
Denzer Zafra
Line Producer:
Liz Sharlene
Makeup & Hair:
Liz Sharlene
Makeup & Hair Assistant:
Sofia Reyes
Makeup Artist:
Osvannie Espejo
Music:
Joaco Venegas
Post Production Supervisor:
Sarai Garcia
Production Assistant:
Jennifer Rojas
Elina Guzman
Production Design:
Paulette Polanco
Production Secretary:
Jennifer Rojas
Props:
Daniela Alvarez
Runner Art Department:
Gustavo Saladin
Daniel Melo
Second Assistant Director:
Dorca Jiménez
Sound Designer:
Hector A. Gonzáles
Sound Recordist:
Carlos Miniño
Special Effects:
Syvrel Fuentes
Still Photographer:
Dhiara Hernández
Writer:
Sarai Garcia
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.