A work in constant progress (and occasional regress).
Release Date:
October 31, 2022
Original Title:
Maya
Genres:
Horror
Ratings / Certifications:
N/A
Runtime: 90
Maya, a shape-shifting soul-collector, seeks to lead a group of unsuspecting non-believers into the afterlife. As space and time become a blurred mirror of reality and Maya's mysterious abilities take on a dark and ominous tone, fear becomes the only key to salvation. For this group of unsuspecting victims, their deepest terror becomes their only way out.
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Assistant Camera:
J.P. Trigg
Assistant Director:
Dineta Williams-Trigg
Associate Producer:
J.C. Marquez Pulita
Kim Wagner-Hemmes
Casting:
Paul C Hemmes
Casting Associate:
J.C. Marquez Pulita
Dineta Williams-Trigg
Cinematography:
Nathan Hill
Paul C Hemmes
Co-Producer:
Rob Rutledge
Costumer:
Pia Luchini
Brie Williams
Director:
Paul C Hemmes
Driver:
Paul Loh
Executive Producer:
Paul C Hemmes
Gaffer:
J.P. Trigg
Grip:
Jacob Glass
Makeup Artist:
Moni Monique Barret
Lisa Lex
Victoria Sandoval
Music:
Paul C Hemmes
Kirk Mazzia
Rob Elliott
Robert W Johnson
Producer:
Paul C Hemmes
Nathan Hill
Production Assistant:
Christos Antoniou
Rachael Goddard
Paul Loh
Researcher:
Kim Wagner-Hemmes
Second Unit Director:
Kim Wagner-Hemmes
Set Decoration:
Asia Flood
Kim Wagner-Hemmes
Set Designer:
Asia Flood
Sound Designer:
Paul C Hemmes
Sound Recordist:
Chandler Carlson
George Cruz
Jacob Glass
Special Effects:
Adam D. Bullock
Joe Castro
Paul C Hemmes
Thanks:
Jon Chase
Scarlet Fry
Gary Gould
Jesse Kongnyuy
Seona Alvin Kongnyuy
Serena Alvin Kongnyuy
Greg Rettner
Jennifer Scott
Timothy Zwica
Visual Effects:
Fahim Ahmed
Egor Kalmykov
Kiran Kumar N
Rohaman Sabbir
Visual Effects Supervisor:
Paul C Hemmes
Writer:
Paul C Hemmes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.