A work in constant progress (and occasional regress).
Release Date:
July 20, 2023
Original Title:
Lullaby for the Lost
Genres:
Drama
Production Companies:
Arts University Bournemouth (AUB)
Bournemouth Film School
CILECT
Ratings / Certifications:
N/A
Runtime: 15
A sleeping man’s fading memory of his late Mother unravels through a recurring, hypermnesic dream that reverberates and transforms throughout his life, tracing from his final dream back to his first.
Art Department Assistant:
Jalissa Letch
Bethany Wright
Naomi Niemeijer
Rory Courtauld
Toby Muir
Marcus Gerrard
Holly Sharman
Rupert Knoll
Art Direction:
Maia Woolrich
Ralph Leming
Assistant Editor:
Alfie Martin
Associate Producer:
Tanera Dawkins
Pascal Roulin
Best Boy Electric:
Jeff Yeung
Camera Operator:
Daniel González Wodnik
Camera Trainee:
Matthew Walter
Co-Writer:
Arunveer Kahlon
Colorist:
Ben Lincoln Irfan
Romy Roulin
George Gower
Costume Assistant:
Lotti Hill
Matilda Le Lohé-Atwell
Costume Designer:
Hattie Tye
Costume Supervisor:
Bethany Wright
Digital Imaging Technician:
Eddie Mould
Director:
Tom Potter
Director of Photography:
Ben Lincoln Irfan
Editor:
George Gower
Tom Potter
Electrician:
Lottie Lunn
Molly Hoque
Finlay Miller
First Assistant Camera:
Ivan Ivanov
First Assistant Director:
Milly May Phillips
Gaffer:
Romy Roulin
Graphic Designer:
Lucy Wilkins
Grip:
Jude Hollis
Key Grip:
Ben Yamak
Loader:
Amy Cox
Shee Won Park
Makeup & Hair Assistant:
Megan Ablett
Makeup Designer:
Caitlin Williams-Macklin
Music Score Producer:
Haydon Anderson
Producer:
Orla Fleming
Production Designer:
Ella Moore
Property Builder:
Milli Nicholls
Miya Gunton
Property Buyer:
Chloe Liebenberg
Script Supervisor:
George Gower
Seamstress:
Mel Hutt
Second Assistant Camera:
Amy Cox
Second Assistant Director:
Templar Burrows
Sound Assistant:
Esmée Goward
Sound Designer:
Haydon Anderson
Writer:
Tom Potter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.