A work in constant progress (and occasional regress).
Original Title:
13 Jours, 13 Nuits
Genres:
Action | Thriller | War
Production Companies:
Chapter 2
M6 Films
Pathé
Production Countries:
France
Ratings / Certifications:
N/A
Kabul, August 15, 2021. US troops are preparing to withdraw from Afghanistan, while the Taliban are marching on the capital to seize power. Amid the chaos, Commander Mohamed Bida and his men are in charge of security at the French embassy, the last Western mission to remain open. Trapped along with 500 people, left to their own devices, the team must reach the airport at all costs. A perilous mission with no guarantee of success to flee the hell of Kabul and rescue what remains of humanity.
Assistant Art Director:
Mobsitte Saad
Rbibe Khalid
Assistant Director:
Mohammed Hamza Regragui
Book:
Mohamed Bida
Carpenter:
Bertrand Terreyre
Casting Associate:
Lainey Lipson
Casting Director:
Rose Wicksteed
Cinematography:
Nicolas Bolduc
Construction Coordinator:
François Combastel
Costume Coordinator:
Fadwa Hakimi
Costume Supervisor:
Rachid Aadassi
Data Management Technician:
Karim Lechgar
Director:
Martin Bourboulon
First Assistant "B" Camera:
Aziz Lechgar
First Assistant Director:
Juliette Crété
Music Supervisor:
Pierre-Marie Dru
Painter:
Sara Cubaynes
Post Production Supervisor:
Abraham Goldblat
Producer:
Dimitri Rassam
Ardavan Safaee
Production Design:
Stéphane Taillasson
Property Master:
Édouard Blaise
Screenplay:
Alexandre Smia
Martin Bourboulon
Stunt Coordinator:
Dominique Fouassier
Benjamin Hicquel
Stunt Double:
Younes Afroukh
Supervising Art Director:
Mobsitte Saad
Visual Effects Supervisor:
Olivier Cauwet
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.