A work in constant progress (and occasional regress).
Release Date:
March 4, 1994
Original Title:
Sirens
Alternate Titles:
Die Verführung der Sirenen
Sirene
Sirener
Szirének
Genres:
Comedy | Drama
Production Companies:
British Screen Finance Ltd
Samson Productions Pty. Ltd.
Sarah Radclyffe Productions
WMG Film
Production Countries:
Australia | United Kingdom
Ratings / Certifications:
AU: MA 15+ DE: 12 FR: U GB: 15 HU: 16 IE: 18 US: R
Runtime: 98
In 1930s Australia, Anglican clergyman Anthony Campion and his prim wife, Estella, are asked to visit noted painter Norman Lindsay, whose planned contribution to an international art exhibit is considered blasphemous. While Campion and Lindsay debate, Estella finds herself drawn to the three beautiful models sitting for the painter's current work, freethinking Sheela, sensual Pru and virginal Giddy.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Recordist:
Paul Carr
Simon Hewitt
Animal Wrangler:
Scott Barlow
Kathryn Forward
Art Department Assistant:
Bart Groen
Art Direction:
Laurie Faen
Assistant Art Director:
Prisque Salvi
Assistant Editor:
Nick Breslin
Jason Costelloe
Assistant Set Designer:
Sarah Tooth
Assistant Sound Editor:
Richard Fettes
Stephen Spencer
Best Boy Electric:
Dave Hanson
Boom Operator:
Mark Keating
Camera Operator:
Julian Penny
Carpenter:
Dean Steiner
Yvonne Gudgeon
Norman Wray
Casting:
Liz Mullinar
Casting Assistant:
Anousha Zarkesh
Clapper Loader:
Leilani Hannah
Conductor:
David Snell
Construction Manager:
Danny Burnett
Continuity:
Susan Wiley
Costume Coordinator:
Mel Dykes
Costumer:
Sussane Head
Julie Bryant
Suzzette Waters
Director:
John Duigan
Director of Photography:
Geoff Burton
Editor:
Humphrey Dixon
Electrician:
Robert Burr
Grant Atkinson
Matt Buchan
Greg Allen
Executive Producer:
Justin Ackerman
Robert Jones
Hans Brockmann
Extras Casting:
Kate Finsterer
First Assistant Director:
P.J. Voeten
First Assistant Editor:
Susan Midgley
Focus Puller:
Kathryn Milliss
Foley Recordist:
Paul Carr
Gaffer:
Ian Plummer
Hairdresser:
Jan Zeigenbein
Key Grip:
Simon Quaife
Location Manager:
Maude Heath
Makeup & Hair Assistant:
Elaine Fitcher
Makeup Artist:
Noriko Watanabe
Adele Wilcox
Yvonne Savage
Cassie Hanlon
Matthew Bartholomew
Music Coordinator:
Christine Woodruff
Negative Cutter:
Mike Murphy
Kim Norris
Original Music Composer:
Rachel Portman
Painter:
Richard Baldwin
Post Producer:
Sylvia Walker Wilson
Post Production Supervisor:
Mike Solinger
Producer:
Sue Milliken
Producer's Assistant:
Susan Lane
Dixie Linder
Production Accountant:
Jill Steele
Bobbie Johnson
Production Assistant:
Melinda Bryant
Production Coordinator:
Emma Schofield
Neris Thomas
Production Manager:
Catherine Bishop
Property Buyer:
Andrew Short
Colin Gibson
Researcher:
Sandra Mckenzie
Screenplay:
John Duigan
Second Assistant Director:
John Martin
Set Decoration:
Kerrie Brown
Sound Editor:
Alan Bell
Susan Midgley
Sound Re-Recording Mixer:
Dean Humphreys
Tim Cavagin
Sound Recordist:
David Lee
Special Effects:
Arthur Spinx
Steadicam Operator:
David Woodward
Stunts:
Randy Fife
Mireille Samson
Third Assistant Director:
Rowena Talacko
Unit Manager:
Will Mathews
Unit Publicist:
Rea Francis
Vehicles Coordinator:
Tim Parry
Wardrobe Assistant:
Heather Laurie
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.