High and Low (1963) [N/A]

Release Date:
March 1, 1963

Original Title:
天国と地獄

Alternate Titles:
Anatomia di un rapimento
Cielo e infierno
Céu e o Inferno
El cielo y el infierno
El infierno del odio
Entre le ciel et l'enfer
Heaven and Hell
High and Low
Himmel och helvete
Himmel og helvede
Himmel og helvete
Između neba i zemlje
Menny és pokol
Nebo a peklo
Niebo i piekło
O dolofonos tou Tokyo
Taivas ja helvetti
Tengoku to jigoku
The Ransom
Рай и ад
天國與地獄
天堂与地狱
천국과 지옥

Genres:
Crime | Drama | Mystery

Production Companies:
Kurosawa Production
TOHO

Production Countries:
Japan

Ratings / Certifications:
AR: 13  FI: K-16  GB: 12  NL: 12  SE: 15 

Runtime: 142

From Akira Kurosawa, director of "Yojimbo" and "Sanjuro" comes a tense, taut film of a modern "perfect crime" with more excitement than even Hitchcock could create.

In the midst of an attempt to take over his company, a powerhouse executive is hit with a huge ransom demand when his servants son is kidnapped

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Assistant Camera:
Masaharu Ueda

Assistant Director:
Yōichi Matsue
Kenjirô Ohmori
Shirō Moritani
Masanobu Deme

Associate Producer:
Akira Kurosawa

Camera Intern:
Yudai Kato

Costume Design:
Miyuki Suzuki

Director:
Akira Kurosawa

Director of Photography:
Takao Saitō
Asakazu Nakai

Editor:
Akira Kurosawa

Editorial Production Assistant:
Reiko Kaneko

First Assistant Camera:
Kazutami Hara

Lighting Technician:
Hiromitsu Mori
Ichirō Inohara

Novel:
Evan Hunter

Original Music Composer:
Masaru Satō

Producer:
Tomoyuki Tanaka
Ryūzō Kikushima

Production Design:
Yoshirō Muraki

Production Supervisor:
Hiroshi Nezu

Property Master:
Akio Nojima

Screenplay:
Hideo Oguni
Ryūzō Kikushima
Eijirō Hisaita
Akira Kurosawa

Script Supervisor:
Teruyo Nogami

Sound Designer:
Fumio Yanoguchi

Sound Effects Editor:
Ichirô Minawa

Sound Mixer:
Hisashi Shimonaga

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.