A work in constant progress (and occasional regress).
Release Date:
November 6, 1997
Original Title:
Stella Does Tricks
Alternate Titles:
Die Lolita Hure
Stella - Die Lolita Prostituierte
Genres:
Drama
Production Companies:
BFI
Channel 4 Television
Compulsive Films
Sidewalk Productions
The Scottish Arts Council
The Scottish Film Production Fund
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 99
A young Glaswegian prostitute in London tries to start a new life.
ADR Editor:
Simon Gershon
Andre Schmidt
Catherine Hodgson
ADR Mixer:
Paul Hamblin
Art Direction:
Tim Ellis
Assistant Accountant:
Rory Mac Dermott
Assistant Art Director:
Ed Turner
Assistant Sound Editor:
Anna Turville
Best Boy Electrician:
Simon Thirlaway
Boom Operator:
St. Clair Davis
Fiona Carlin
Camera Trainee:
Jaspreet Bal
Carpenter:
Derek Fraser
Casting:
Vanessa Pereira
Simone Pereira Hind
Casting Assistant:
Danielle Roffe
Clapper Loader:
Joe Blackwell
Neil Davidson
Co-Executive Producer:
Eddie Dick
Madeleine French
Co-Producer:
Angus Lamont
Construction Manager:
Colin H. Fraser
Costume Coordinator:
John Cowell
Maria Liljetors
Costume Designer:
Annie Symons
Dialogue Editor:
Eddie Jones
Director:
Coky Giedroyc
Director of Photography:
Barry Ackroyd
Dressing Prop:
Tony Sheridan
Driver:
Andy Collins
Andrew Torrance
Steve Hotchkiss
Paul Thompson
Roy Tait
Martin Aylemore
Editor:
Budge Tremlett
Electrician:
Paul Sharp
Matthew Butler
Jimmy Mitchell
Executive In Charge Of Production:
Angela Topping
Executive Producer:
Ben Gibson
First Assistant Director:
Nic Jeune
Focus Puller:
Jamie McCallum
Foley Artist:
Melissa Lake
Paul Hanks
Foley Editor:
Tom Fawcett
Gaffer:
Matthew Moffat
Grip:
Judith Stanley-Smith
Jamie Coulter
Location Assistant:
Richard Page
Simon Vickery
Location Manager:
Donald Cameron
Location Scout:
Brian Kaczynski
Makeup Artist:
Fiona Clegg
Makeup Designer:
Jacquetta Levon
Music:
Nick Bicât
Music Producer:
Paul Samwell-Smith
Other:
Brian Boyne
Eliza Mellor
Dee Emerson
Martin Page
Painter:
Jim Patrick
Producer:
Adam Barker
Production Accountant:
Nigel Woods
Production Coordinator:
Julia Bennett
Production Design:
Lynne Whiteread
Production Office Assistant:
Iain MacDonald Young
Ben Curtis
Tim Daniels
Benjamin Cooper
David Shanks
Production Secretary:
Cath Wadling
Production Supervisor:
Sally French
Production Trainee:
Fiona Gosden
Property Buyer:
Rohan Banyard
Props:
Fairplay Barnes
Script Supervisor:
Dee Taylor
Helen Walker
Second Assistant Director:
Gareth Williams
Second Unit:
Roger Tooley
Grant Cameron
Robert Patterson
Francis Todd
Set Decoration:
Joanna Tague
Set Painter:
Karen Whiteread
Sound Recordist:
Stuart Bruce
Special Effects Supervisor:
John Markwell
Standby Carpenter:
Geoff Stainthorp
Still Photographer:
Robert Pereira Hind
Technical Supervisor:
Andy Powell
Thanks:
Marc Berlin
Sue Boorman
Janna Craze
Hayley Murt
Melanie Slaughter
Claire Harvey
Richard Marek
Third Assistant Director:
Simon Cooke
Dawn Lee Harvey
Title Designer:
Roger Kennedy
Unit Publicist:
Shelley Simmons
Wardrobe Assistant:
Jemima Cotter
Deirdre Johnstone
Wardrobe Supervisor:
Joanna Freedman
Writer:
A.L. Kennedy
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.