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The Gold Teeth (2022) [N/A]

Release Date:
May 7, 2022

Original Title:
The Gold Teeth

Production Companies:
Crazy8s Film Society

Production Countries:
Canada

Ratings / Certifications:
 N/A

Runtime: 15

Overview from TheMovieDB

Sahra, an Afghan refugee in Canada arrives at Iranian ex-Dentist, Hamed's doorstep for help extracting her late father's gold teeth before they bury him.

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Trailer

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Performers

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Production

Additional First Assistant Camera:
Edith Cheng

Additional Second Assistant Camera:
Adam Tamer

Assistant Editor:
Reed Kierce

Assistant Makeup Artist:
Saki Shirasaka

Associate Producer:
Sophie Caird
Julia Niendorf

Camera Operator:
Bhavesh Chauhan
Jay Kamal

Cinematography:
Jay Kamal

Co-Producer:
James Brooks
Kent Donguines
Panta Mosleh
Sina Nazarian
Emily Weldon

Consulting Producer:
Michelle Morris
Jonathan Tammuz

Costume Design:
Ioana Cheptea

Digital Imaging Technician:
Reed Kierce

Director:
Alireza Kazemipour

Editor:
Bruno Trivelli
Sam Gilling

Executive Producer:
Paul Armstrong
Erin Mussolum

First Assistant "A" Camera:
Izaiah Kane

First Assistant Director:
Sina Nazarian

Gaffer:
Jorge Preisser Romero

Graphic Designer:
Lindsay Clark

Key Grip:
Lucas Margetson

Key Hair Stylist:
Saki Shirasaka

Makeup Department Head:
Andy Le

Music:
Arvin Fekri

Post Production Producer:
Julia Niendorf

Post Production Supervisor:
Sina Nazarian

Producer:
Alireza Kazemipour
Mattise Weyler-Hubert

Production Coordinator:
Simone Neviani

Production Design:
Neil Colango
Tracy Labrosse

Property Master:
Tracy Labrosse

Recording Supervision:
Justin Aucoin

Script Supervisor:
Julie Zhu

Second Assistant "A" Camera:
Chloe Morris

Second Assistant Director:
Kira Swan

Set Designer:
Neil Colango

Sound Designer:
Todd Leblanc

Sound Engineer:
Dave Chick

Sound Mixer:
Mesh Gutierrez

Special Effects Coordinator:
Dale Shippam

Steadicam Operator:
Jay Kamal

Still Photographer:
Edith Cheng

Unit Manager:
Caron Shiu

Writer:
Alireza Kazemipour

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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