A work in constant progress (and occasional regress).
Release Date:
February 28, 2024
Original Title:
Malartic
Genres:
Documentary
Production Companies:
ONF | NFB
franC doc
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 88
Ten years after an enormous open-pit gold mine began operations in Malartic, the hoped-for economic miracle is nothing more than a mirage. Filmmaker Nicolas Paquet explores the glaring contrast between the town’s decline and the wealth of the mining company, along with the mechanisms of an opaque decision-making system in which ordinary people have little say. Part anthropological study, part investigation into the corridors of power, Malartic addresses the fundamental issue of sustainable and fair land management.
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Administration:
Brenda Nixon
Sia Koukoulas
Cinematography:
François Pesant
Benoit Ouellet
Geoffroy Beauchemin
Colorist:
Yannick Carrier
Coordinating Producer:
Stéphanie Lazure
Director:
Nicolas Paquet
Editor:
Natacha Dufaux
Editorial Consultant:
Pierre Dupont
Marie-Josée Gourde
Patrick Trahan
Executive Producer:
Nathalie Cloutier
Foley:
Stéphane Cadotte
Foley Recordist:
Luc Léger
Legal Services:
Lussier et Khouzam
Line Producer:
Mélanie Lasnier
Location Sound Recordist:
Catherine Van Der Donckt
Richard Saindon
Guillaume Lévesque
Music:
Richard Desjardins
Musician:
Richard Desjardins
Jacques Tessier
Online Editor:
Yannick Carrier
Producer:
Nicolas Paquet
Nathalie Cloutier
Production Accountant:
Nicolas Paquet
René Turcotte
Production Coordinator:
Joëlle Lapointe
Chinda Phommarinh
Karine Lamontagne
Nicolas Paquet
Lucia Corak
Alexandra Levert
Researcher:
Nancy Marcotte
Nicolas Paquet
Sound Designer:
Catherine Van Der Donckt
Sound Mix Technician:
Yves Mercier
Sound Re-Recording Mixer:
Isabelle Lussier
Story Consultant:
Hugo Latulippe
Technical Supervisor:
Julien Archambault
Esther Viragh
Writer:
Nicolas Paquet
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.