A work in constant progress (and occasional regress).
Release Date:
December 20, 2006
Original Title:
Rocky Balboa
Alternate Titles:
Rocky 6
Rocky 6 - Balboa
Rocky 6 - Rocky Balboa
Rocky 6 Rocky Balboa
Rocky Balboa
Rocky VI
Rocky VI - Rocky Balboa
Rocky VI: Rocky Balboa
Роки Балбоа
Рокки Бальбоа
Роккі 6
רוקי 6: רוקי בלבואה
ロッキー・ザ・ファイナル
록키 발보아
Genres:
Drama
Production Companies:
Chartoff-Winkler Productions
Columbia Pictures
Metro-Goldwyn-Mayer
Revolution Studios
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 AU: M BR: 12 CA: G CZ: U DE: 12 DK: 11 ES: 7 FR: U GB: 12A GR: PG HU: 12 IE: 12A IT: T JP: G KR: 12 NL: 12 NO: 11 år PL: 12 RU: 6+ SE: 11 US: PG
Runtime: 102
His Wife is dead and his Son hates him, but this old man still has fight in him! When he loses a highly publicized virtual boxing match to ex-champ Rocky Balboa, reigning heavyweight titleholder Mason Dixon retaliates by challenging Rocky to a nationally televised, 10-round exhibition bout. To the surprise of his son and friends, Rocky agrees to come out of retirement and face an opponent who's faster, stronger, and thirty years his junior.
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"A" Camera Operator:
Daniel L. Turrett
"B" Camera Operator:
John S. Moyer
James Maxtone-Graham
"D" Camera Operator:
Michael J. Walker
ADR Editor:
Larry Kemp
ADR Mixer:
Howard London
ADR Voice Casting:
Barbara Harris
Additional Editing:
Paul Harb
Animation Supervisor:
Derron Ross
Apprentice Sound Editor:
Brian Gardner
Art Direction:
Michael Atwell
Jesse Rosenthal
Assistant Art Director:
Alberto Gonzalez-Reyna
Jonah Markowitz
Assistant Chief Lighting Technician:
Jason Santelli
Assistant Editor:
Evan Schiff
Robert Drwila
Assistant Location Manager:
Julian Ruhe
Stephen Fischer
Rebecca L. Milgrom
Brad Warden
Assistant Production Coordinator:
David Raynor
David Malley
Assistant Property Master:
Audrey A. Johnson
Vic Petrotta Jr.
Assistant Sound Editor:
Lynn Sable
Best Boy Electric:
Francine Natale
John Chickanis
Best Boy Grip:
Chris Beattie
S. Toulouse Holliday
Kimberly Rial
Erasto T. Garcia
Boom Operator:
Tom Hartig
Camera Loader:
Daniel D. Sariano
Colette Gabriel
Casting:
Sheila Jaffe
Casting Assistant:
Danielle Colli
Casting Associate:
Jason Loftus
Susan Paley Abramson
Characters:
Sylvester Stallone
Chief Lighting Technician:
Larry Wallace
Co-Producer:
Guy Riedel
Construction Coordinator:
Paul Maiello
Joseph Kearney
Costume Designer:
Gretchen Patch
Costume Supervisor:
Hope Slepak
Costumer:
Laurel Frushour
Jennifer Antony
Teresa Binder Westby
Maren Reese
Honora Jackson
Dialogue Editor:
Gaston Biraben
Digital Compositor:
Tom Lamb
Maureen Healy
Robert Montgomery
Kiley Bond
Alan De Castro
Michael Degtjarewsky
Bob Wiatr
Scott Evans
Francis Yu
Patrick Keenan
Patrick Phillips
Ozzie Carmona
Jennifer Law
James Chul Rim
Matthew Melis
Brian Hanable
Jennifer Chantnicki
Matt Seckman
Jim O'Hagan
Danny S. Kim
Doug Witskin
Chad Schott
Chad Buehler
Michael Kaelin
Lloyd Lee Barnett
Chris Hopkins
Rob Ostir
Digital Imaging Technician:
Nathaniel Miller
Peter Gray
Digital Intermediate Colorist:
Paul Bronkar
Digital Intermediate Editor:
Kate Crossley
Digital Intermediate Producer:
Cindy Bond
Digital Supervisor:
Derek Bird
Director:
Sylvester Stallone
Director of Photography:
Clark Mathis
Dolly Grip:
Fred Cooper
Editor:
Sean Albertson
Editorial Staff:
David Matusek
Julia Grove
Executive Producer:
Irwin Winkler
Robert Chartoff
Extras Casting:
Tracy Dixon
David Kramer
First Assistant "A" Camera:
Brian S. Osmond
First Assistant "B" Camera:
Tim Metivier
Rod Calarco
First Assistant Director:
Rip Murray
First Assistant Editor:
Seth Clark
Foley Artist:
Pamela Kahn
Vincent Guisetti
Foley Mixer:
Kyle Rochlin
Foley Supervisor:
Solange S. Schwalbe
Grip:
Sheridan Braxton
Dan Carpluk
Mark Elliot Catania
Gregory F. Johnson
Robert M. Mock
Jason Newton
Joseph Presson
Niel Williams
Hair Department Head:
Nicole Venables
Hairstylist:
Diane Dixon
Debra Knotts
Key Costumer:
Bob Moore Jr.
Key Grip:
Brian H. Reynolds
Key Hair Stylist:
David Danon
Key Makeup Artist:
James R. Kail
Key Rigging Grip:
M.R. Smith
Leadman:
Sean Ginevan
Local Casting:
Diane Heery
Location Manager:
Patricia Taggart
Paul Schreiber
Kim Houser-Amaral
Makeup Artist:
Diane Heller
Makeup Department Head:
Scott H. Eddo
Music Editor:
Lisa Jaime
Chris McGeary
Negative Cutter:
Gary Burritt
Original Music Composer:
Bill Conti
Post Production Supervisor:
Carey Len Smith
Producer:
Charles Winkler
William Chartoff
David Winkler
Kevin King Templeton
Production Coordinator:
Kelly Moran-Brown
Production Design:
Franco-Giacomo Carbone
Production Sound Mixer:
Mark Ulano
Property Master:
Kent H. Johnson
Rigging Gaffer:
R. Adam Chambers
Harold Groshon
Script Supervisor:
Marion Tumen
Second Assistant "A" Camera:
Nathan Wilson
Second Assistant "B" Camera:
Leon Sanginiti
Neal Morrell
Second Assistant Director:
Christina Fong
Ramiro Adan Gómez
Melody L. Moses
Dennis Burrell
Second Second Assistant Director:
Katie Carroll
Louis Guerra
Second Unit Director:
Charles Winkler
Set Decoration:
Robert Greenfield
Sound Effects Editor:
John M. Chalfant
Steven Ticknor
Sound Mixer:
Steve Maslow
Tateum Kohut
Sound Recordist:
Tom Burns
Special Effects Coordinator:
John Hartigan
Special Effects Technician:
Michael Frechette
Storyboard Artist:
Luis Russo
Mark Vena
Stunt Coordinator:
Mark De Alessandro
Supervising Sound Editor:
Anthony J. Ciccolini III
Technical Advisor:
Rob Sale
Title Designer:
Bruce Schluter
Unit Production Manager:
Udi Nedivi
Utility Sound:
Adam Blantz
Video Assist Operator:
Scott Crabbe
David Katz
Visual Effects Coordinator:
Phillip Hoffman
Jenny Foster
Visual Effects Producer:
Ladd Lanford
Mark Driscoll
Al Shier
Visual Effects Supervisor:
Mark Freund
Henrik Fett
David Stinnett
Writer:
Sylvester Stallone
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.