A work in constant progress (and occasional regress).
Release Date:
December 20, 2006
Original Title:
Rocky Balboa
Alternate Titles:
Rocky 6
Rocky 6 - Balboa
Rocky 6 - Rocky Balboa
Rocky 6 Rocky Balboa
Rocky Balboa
Rocky VI
Rocky VI - Rocky Balboa
Rocky VI: Rocky Balboa
Роки Балбоа
Рокки Бальбоа
Роккі 6
רוקי 6: רוקי בלבואה
ロッキー・ザ・ファイナル
록키 발보아
Genres:
Drama
Production Companies:
Chartoff-Winkler Productions
Columbia Pictures
Metro-Goldwyn-Mayer
Revolution Studios
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 AU: M BR: 12 CA: G CZ: U DE: 12 DK: 11 ES: 7 FI: K-16 FR: U GB: 12A GR: PG HU: 12 IE: 12A IT: T JP: G KR: 12 NL: 12 NO: 11 år PL: 12 RU: 6+ SE: 11 SK: 12 US: PG
Runtime: 102
His wife is dead and his son hates him, but this old man still has fight in him! When he loses a highly publicized virtual boxing match to ex-champ Rocky Balboa, reigning heavyweight titleholder Mason Dixon retaliates by challenging Rocky to a nationally televised, 10-round exhibition bout. To the surprise of his son and friends, Rocky agrees to come out of retirement and face an opponent who's faster, stronger, and thirty years his junior.
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"A" Camera Operator:
Daniel L. Turrett
"B" Camera Operator:
James Maxtone-Graham
John S. Moyer
"D" Camera Operator:
Michael J. Walker
ADR Editor:
Larry Kemp
ADR Mixer:
Howard London
ADR Voice Casting:
Barbara Harris
Additional Editing:
Paul Harb
Animation Supervisor:
Derron Ross
Apprentice Sound Editor:
Brian Gardner
Art Direction:
Jesse Rosenthal
Michael Atwell
Assistant Art Director:
Jonah Markowitz
Alberto Gonzalez-Reyna
Assistant Chief Lighting Technician:
Jason Santelli
Assistant Editor:
Robert Drwila
Evan Schiff
Assistant Location Manager:
Stephen Fischer
Julian Ruhe
Brad Warden
Rebecca L. Milgrom
Assistant Production Coordinator:
David Raynor
David Malley
Assistant Property Master:
Vic Petrotta Jr.
Audrey A. Johnson
Assistant Sound Editor:
Lynn Sable
Best Boy Electric:
Francine Natale
John Chickanis
Best Boy Grip:
Kimberly Rial
S. Toulouse Holliday
Chris Beattie
Erasto T. Garcia
Boom Operator:
Tom Hartig
Camera Loader:
Colette Gabriel
Daniel D. Sariano
Casting:
Sheila Jaffe
Casting Assistant:
Danielle Colli
Casting Associate:
Susan Paley Abramson
Jason Loftus
Characters:
Sylvester Stallone
Chief Lighting Technician:
Larry Wallace
Co-Producer:
Guy Riedel
Construction Coordinator:
Paul Maiello
Joseph Kearney
Costume Designer:
Gretchen Patch
Costume Supervisor:
Hope Slepak
Costumer:
Maren Reese
Jennifer Antony
Laurel Frushour
Teresa Binder Westby
Honora Jackson
Dialogue Editor:
Gaston Biraben
Digital Compositor:
Alan De Castro
Ozzie Carmona
James Chul Rim
Jim O'Hagan
Kiley Bond
Francis Yu
Jennifer Chantnicki
Robert Montgomery
Bob Wiatr
Matthew Melis
Brian Hanable
Maureen Healy
Michael Degtjarewsky
Patrick Keenan
Jennifer Law
Tom Lamb
Patrick Phillips
Scott Evans
Matt Seckman
Chad Buehler
Doug Witskin
Lloyd Lee Barnett
Danny S. Kim
Chris Hopkins
Michael Kaelin
Chad Schott
Rob Ostir
Digital Imaging Technician:
Peter Gray
Nathaniel Miller
Digital Intermediate Colorist:
Paul Bronkar
Digital Intermediate Editor:
Kate Crossley
Digital Intermediate Producer:
Cindy Bond
Digital Supervisor:
Derek Bird
Director:
Sylvester Stallone
Director of Photography:
Clark Mathis
Dolly Grip:
Fred Cooper
Editor:
Sean Albertson
Editorial Staff:
David Matusek
Julia Grove
Executive Producer:
Irwin Winkler
Robert Chartoff
Extras Casting:
Tracy Dixon
David Kramer
First Assistant "A" Camera:
Brian S. Osmond
First Assistant "B" Camera:
Tim Metivier
Rod Calarco
First Assistant Director:
Rip Murray
First Assistant Editor:
Seth Clark
Foley Artist:
Vincent Guisetti
Pamela Kahn
Foley Mixer:
Kyle Rochlin
Foley Supervisor:
Solange S. Schwalbe
Grip:
Dan Carpluk
Sheridan Braxton
Robert M. Mock
Jason Newton
Joseph Presson
Mark Catania
Niel Williams
Gregory F. Johnson
Hair Department Head:
Nicole Venables
Hairstylist:
Diane Dixon
Debra Knotts
Key Costumer:
Bob Moore Jr.
Key Grip:
Brian H. Reynolds
Key Hair Stylist:
David Danon
Key Makeup Artist:
James R. Kail
Key Rigging Grip:
M.R. Smith
Leadman:
Sean Ginevan
Local Casting:
Diane Heery
Location Manager:
Patricia Taggart
Paul Schreiber
Kim Houser
Makeup Artist:
Diane Heller
Makeup Department Head:
Scott H. Eddo
Music Editor:
Lisa Jaime
Chris McGeary
Negative Cutter:
Gary Burritt
Original Music Composer:
Bill Conti
Post Production Supervisor:
Carey Len Smith
Producer:
Charles Winkler
David Winkler
Kevin King Templeton
William Chartoff
Production Coordinator:
Kelly Moran-Brown
Production Design:
Franco-Giacomo Carbone
Production Sound Mixer:
Mark Ulano
Property Master:
Kent H. Johnson
Rigging Gaffer:
R. Adam Chambers
Harold Groshon
Script Supervisor:
Marion Tumen
Second Assistant "A" Camera:
Nathan Wilson
Second Assistant "B" Camera:
Neal Morrell
Leon Sanginiti
Second Assistant Director:
Christina Fong
Melody L. Moses
Dennis Burrell
Ramiro Adan Gómez
Second Second Assistant Director:
Louis Guerra
Katie Carroll
Second Unit Director:
Charles Winkler
Set Decoration:
Robert Greenfield
Sound Effects Editor:
John M. Chalfant
Steven Ticknor
Sound Mixer:
Tateum Kohut
Steve Maslow
Sound Recordist:
Tom Burns
Special Effects Coordinator:
John C. Hartigan
Special Effects Technician:
Michael Frechette
Storyboard Artist:
Luis Russo
Mark Vena
Stunt Coordinator:
Mark De Alessandro
Supervising Sound Editor:
Anthony J. Ciccolini III
Technical Advisor:
Rob Sale
Title Designer:
Bruce Schluter
Unit Production Manager:
Udi Nedivi
Utility Sound:
Adam Blantz
Video Assist Operator:
David Katz
Scott Crabbe
Visual Effects Coordinator:
Phillip Hoffman
Jenny Foster
Visual Effects Producer:
Ladd Lanford
Mark Driscoll
Al Shier
Visual Effects Supervisor:
Mark Freund
David Stinnett
Henrik Fett
Writer:
Sylvester Stallone
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.