A work in constant progress (and occasional regress).
Release Date:
October 21, 2023
Original Title:
Stripped for Parts: American Journalism on the Brink
Genres:
Documentary
Ratings / Certifications:
N/A
Stripped for Parts: American Journalism on the Brink is the story of one secretive hedge fund that is plundering America’s newspapers and the journalists who are fighting back. Investigative reporter Julie Reynolds, Denver Post editorialist Chuck Plunkett and a handful of others, backed by the NewsGuild union, go toe-to-toe with the faceless Alden Global Capital in a battle to save and rebuild local journalism across America. Who will control the future of America’s news ecosystem: Wall Street billionaires concerned only with profit, or those who see journalism as an essential public service and the lifeblood of our democracy?
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.