Universal Soldier: Day of Reckoning (2012) [R]

Release Date:
October 4, 2012

Original Title:
Universal Soldier: Day of Reckoning

Alternate Titles:
Soldado Universal - Juízo Final
Soldado universal: El día del juicio final
Soldado universal: La última batalla
Universal Soldier 4: A New Dimension
Universal Soldier 6 - Day Of Reckoning
Universal Soldier IV - Tag Der Abrechnung
Universal Soldier IV: Tag der Abrechnung
Universal Soldier VI: Day of Reckoning
Universal Soldier: Day of Reckoning 3D
Universal Soldier։ Day of Reckoning
Universal Soldier։ Day of Reckoning 3D
Universal soldier: Le jour de la vengeance
Uniwersalny zolnierz 4: Dzien sadu
Παγκόσμιος Στρατιώτης: Το Ξεκαθάρισμα
Универсален войник 4
Універсальний солдат 4: Судний день
再造戰士4:最後審判

Genres:
Action | Science Fiction | Thriller

Production Companies:
Baumgarten Management and Productions (BMP)
Foresight Unlimited
Signature Pictures

Production Countries:
United States of America

Ratings / Certifications:
DE: 18  DK: 15  RU: 18+  US: R 

Runtime: 113

Under their own command

After his wife and daughter are murdered in a home invasion, a widower named John now finds himself up against an army of Universal Soldiers in relentless pursuit, led by a mysterious leader who promises to set UniSols free from their conditioning.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

3D Artist:
Ievgen Kulieshov

ADR Editor:
Michael Baird

Animal Wrangler:
Sean Paul Braud
Jeff Galpin

Armorer:
Andres Sepulveda
David Lee Valle

Art Department Coordinator:
Erin Foster

Art Direction:
Jeremy Woolsey

Associate Producer:
James Portolese
Stacy Frankel
Lori Burchfield
Keith Collea
Katerina Slantcheva

Boom Operator:
Michael Baird

Casting:
Brent Caballero

Characters:
Richard Rothstein
Christopher Leitch
Dean Devlin

Construction Coordinator:
Steve J. Jones

Costume Design:
Kim Martínez

Costume Supervisor:
Hannah Gates

Dialogue Editor:
Paul Bercovitch

Digital Compositor:
Oleh Verenko

Director:
John Hyams

Director of Photography:
Yaron Levy

Dolly Grip:
Sean P. Fickert

Editor:
Andrew Drazek
John Hyams

Executive Producer:
Courtney Solomon
Steven A. Frankel
Gregory M. Walker
James Gibb
Bobby Ranghelov
Mark Damon

Foley:
Shaun Brennan

Gaffer:
Michael Chateauneuf

Hair Department Head:
Andrea Young

Key Grip:
Mark Shane Davis

Key Hair Stylist:
Kat Percy

Key Makeup Artist:
Mark Landon

Key Set Costumer:
Megan Daly

Line Producer:
Yoram Barzilai

Makeup Department Head:
David Atherton

Music Supervisor:
Jeremy Pleasant

Original Music Composer:
Michael Krassner
Wil Hendricks
Robin Vining

Producer:
Moshe Diamant
Allen Shapiro
Craig Baumgarten

Production Design:
Nate Jones

Property Master:
Jonathan Shaffer

Screenplay:
John Hyams
Jon Greenhalgh
Doug Magnuson

Script Supervisor:
Mary Tallman

Second Unit Director:
Chuck Picerni Jr.

Second Unit Director of Photography:
Andy Steinman

Set Costumer:
Melissa Naccari Floyd
Kizzie Autumn Martin

Set Decoration:
Andrew W. Bofinger

Sound Designer:
Neil Fazzari

Sound Effects Editor:
Abigail Savage

Sound Re-Recording Mixer:
Tom Efinger

Special Effects Supervisor:
Everett Byrom III

Steadicam Operator:
Nicholas Davidoff
Ari Robbins

Still Photographer:
Cook Allender

Story:
Moshe Diamant
John Hyams

Stunt Coordinator:
Chuck Picerni Jr.
Charlie Picerni

Stunt Double:
Chelsea Bruland

Stunt Driver:
Christine Craft Regusa

Stunts:
Jessica Williams
Scott Wilder
Danny Epper
Mike Wilson
Nancy Young

Ultimate Arm Operator:
Michael Nelson

Visual Effects Producer:
Tarn Fox
Roman Bazyuchenko

Visual Effects Supervisor:
D.J. Shea
Oleksandr Kucherov
Ilia Goncharov
Ilya Lindberg

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.