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Special Delivery (1976) [PG]

Release Date:
July 16, 1976

Original Title:
Special Delivery

Alternate Titles:
Ein ganz spezielles Paar

Genres:
Action | Comedy | Crime

Production Companies:
American International Pictures

Production Countries:
United States of America

Ratings / Certifications:
DE: 18  US: PG 

Runtime: 99

He's six feet six inches of dynamite. She's crazy. Absolutely crazy!

Overview from TheMovieDB

A gang of thieves plan a daring bank robbery, making their escape across the rooftops of Los Angeles. The police are quickly called in, however, and only one of the robbers, Murdock, makes a clean getaway. Unfortunately, in order to do so, he is forced to dump the stolen cash into a mailbox, which he then finds is locked until midnight, forcing him to wait until the mailman makes his late night pickup. As he waits, he discovers that his hiding place has been observed by several other people, all of whom want a share of the loot.

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Performers

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Production

Art Direction:
Jack Poplin

Assistant Editor:
Peter E. Berger

Camera Operator:
Richard Tim Vanik

Casting:
Irving Lande

Construction Coordinator:
Lowell Thomas

Director:
Paul Wendkos

Director of Photography:
Harry Stradling Jr.

Editor:
Houseley Stevenson Jr.

Executive In Charge Of Production:
John Pommer

Executive Producer:
Charles A. Pratt

First Assistant Director:
Gary Daigler

Hairstylist:
Lynda Gurasich

Makeup Artist:
Mike Moschella

Music Editor:
Kenneth Hall

Original Music Composer:
Lalo Schifrin

Producer:
Richard Berg

Production Coordinator:
Ted Langwell

Production Sound Mixer:
Al Overton Jr.

Script Supervisor:
H. Bud Otto

Set Decoration:
Donald J. Sullivan

Sound Editor:
James J. Klinger

Sound Re-Recording Mixer:
David Dockendorf

Special Effects:
Howard Jensen

Still Photographer:
Jack Gereghty

Stunt Coordinator:
Carey Loftin

Transportation Captain:
Russell McEntyre

Unit Production Manager:
Floyd Joyer

Writer:
John Melson
James Edward Grant

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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