A work in constant progress (and occasional regress).
Release Date:
July 22, 1977
Original Title:
The Hills Have Eyes
Alternate Titles:
Blood Relations
Las colinas tienen ojos
Quadrilha de Sádicos
The Hills Have Eyes: Part I
Wes Craven's The Hills Have Eyes
גבעת הפחד
Genres:
Horror | Thriller
Production Companies:
Blood Relations Co.
Production Countries:
United States of America
Ratings / Certifications:
DE: 18 ES: 18 FR: 16 NL: 16 US: R
Runtime: 90
Taking an ill-advised detour en route to California, the Carter family soon run into trouble when their RV breaks down in the middle of the desert. Stranded, they find themselves at the mercy of monstrous cannibals lurking in the surrounding hills.
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Animal Coordinator:
Moe DiSesso
Tom Morrocco
Jim Dannaldson
Art Direction:
Robert A. Burns
Assistant Camera:
Leslie Otis
Assistant Director:
Valley Hoffman
Assistant Editor:
Robert Alsheimer
Assistant Sound Designer:
D. G. Fisher
Best Boy Grip:
Ken Wheeland
Casting:
Gus Schirmer
Conductor:
Don Peake
Costume Design:
Joanne Jaffe
Director:
Wes Craven
Director of Photography:
Eric Saarinen
Editor:
Wes Craven
Gaffer:
Dennis Bishop
Grip:
Richard Scheid
Bill Moore
Larry Boyd
Key Grip:
Lynn Rogers
Location Coordinator:
Tom Pickette
Location Scout:
Tom Pickette
Makeup Artist:
Donald Mulderick
Original Music Composer:
Don Peake
Presenter:
Peter Locke
Producer:
Peter Locke
Producer's Assistant:
Rose Marie Yurinko
Production Assistant:
Rhonda Hopkins
Florence M. Amico
Production Manager:
Walter R. Cichy
Props:
Mary Church
Script Supervisor:
Joanie Blum
Second Unit:
Tim Wawrzeniac
Bob Eber
Rick Braverman
Craig Felburg
Karen Grant
Carolyn Ames
Set Designer:
J. Larry Carroll
Sound Effects:
Peter Hitchcock
David Marsh
David Lee Fein
Jill Debin
Sound Engineer:
Hal Watkins
Sound Mixer:
Jan Schulte
Special Effects:
John Frazier
Greg Auer
Special Effects Makeup Artist:
Dave Ayres
Ken Horn
Still Photographer:
Ray Fischer
Stunt Coordinator:
Ron Stein
Wardrobe Supervisor:
Paula Cain
Writer:
Wes Craven
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.