A work in constant progress (and occasional regress).
Release Date:
November 25, 1998
Original Title:
Home Fries
Alternate Titles:
Méli-mélo
Todo en Familia
Todo queda en casa
Genres:
Comedy | Drama | Romance
Production Companies:
Baltimore Pictures
Kasdan Pictures
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: PG-13
Runtime: 93
Dorian and Angus chase down their womanizing stepfather with a helicopter, frightening him to death. In his effort to cover their tracks, Dorian begins investigating his stepfather's mistress, Sally. She works at a fast-food drive-through, she's pregnant and Dorian quickly falls in love with her. Unfortunately, his scheming mother wants Sally dead. And Sally isn't sure she wants Dorian to be her child's father and also his brother.
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Art Direction:
Phil Dagort
Assistant Costume Designer:
Alix Friedberg
Casting:
Jill Greenberg Sands
Debra Zane
Barbara Brinkley
Casting Associate:
Toni Cobb Brock
Costume Design:
Jill M. Ohanneson
Costume Supervisor:
Beverley Woods
Director:
Dean Parisot
Director of Photography:
Jerzy Zieliński
Editor:
Nicholas C. Smith
Executive Producer:
Romi Lassally
Key Hair Stylist:
Barbara Olvera
Makeup Artist:
Kimberly Greene
Original Music Composer:
Rachel Portman
Producer:
Mark Johnson
Lawrence Kasdan
Barry Levinson
Charles Newirth
Production Design:
Barry Robison
Researcher:
Jonn Cherico
Screenplay:
Vince Gilligan
Set Decoration:
Suzette Sheets
Stunts:
Russell Towery
Diane Towery
Harold Burns
Kiante Elam
Greg Wayne Elam
John Cann
Randy Fife
Ousaun Elam
Dick Hancock
George Fisher
Patrick Horrigan
Gary Pike
Lucinda Hinton
Rick Sawaya
Víctor Quintero
Kay Whipple
Rick Seaman
Bob Minor
Joni Avery
Tony Brubaker
Jill Brown
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.