A work in constant progress (and occasional regress).
Release Date:
April 21, 1989
Original Title:
Speed Zone
Alternate Titles:
Cannonball Fever
Cannonball Run III
The Cannonball Run 3
The Cannonball Run III
Uma Corrida Maluca Demais
Genres:
Action | Comedy
Production Companies:
Entcorp Communications
Orion Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: PG
Runtime: 94
An illegal race that takes place over the United States and nothing will stop this bunch of racers except for the occasional cop or a damsel in distress. Jackie Chan's car is not in this one, but many new cars make up for that. Who will win? Who will crash? Who will not even finish? Sit down and buckle up for the ride of your life.
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ADR Editor:
Dale Sheldrake
Additional Music:
Paul F. Antonelli
Art Direction:
Richard Hudolin
Assistant Art Director:
Serge Bureau
Assistant Editor:
Darrin Martin
Susan Shipton
Heidi Scharfe
Assistant Set Decoration:
Suzanne Labrecque
Kathleen A. Moloney
Associate Editor:
Robin Russell
Boom Operator:
Pierre Blain
Charles Kelly
Mike Smith
Camera Operator:
Bert Tougas
Larry Lynn
Al Smith
David B. Nowell
Jean Lépine
Serge Ladouceur
Bob McBride
Casting:
Mike Fenton
Judy Taylor
Co-Producer:
Vivienne Leebosh
Color Timer:
Bill Johnstone
Costume Designer:
Paul-André Guérin
Sharon Nye
Dialogue Editor:
Lock Johnston
David Templeton
Director:
Jim Drake
Director of Photography:
François Protat
Robert Saad
Editor:
Michael Economou
Executive Producer:
Albert S. Ruddy
André E. Morgan
First Assistant Camera:
Dominique Ricard
Gilbert Salas
Marcia Tenney
Paul Gravel
Denis Gingras
Glen Shimada
Robert A. Torres
First Assistant Director:
Michael A. Williams
Jack W. Cash
Foley:
Andy Malcolm
Hairstylist:
Kathy W. Estocin
Dione Taylor
Serge Morache
Key Makeup Artist:
Jocelyne Bellemare
Valli O'Reilly
Line Producer:
Wendy Grean
Location Casting:
Rosina Bucci
Location Sound Recordist:
Don Cohen
Richard Lightstone
Makeup Artist:
Ben Nye Jr.
Music Editor:
Jacqueline Carmody
Music Supervisor:
Murray Deutch
Stu Cantor
Original Music Composer:
David Wheatley
Post Production Supervisor:
Cindy Morton
Producer:
Murray Shostak
Production Coordinator:
Elisabeth-Ann Gimber
Angela Heald
Damian Ganczewski
Production Design:
Richard Hudolin
Production Manager:
David Hood
Don Buchsbaum
Screenplay:
Michael Short
Script Supervisor:
France Boudreau
Judy Redlin
Claudette Messier
Corinne Saaranen-Welch
Second Assistant Camera:
Claude Beauchamp
Jean-Jacques Gervais
Fred Ham
Gary Glouner
Second Assistant Director:
Carole Dubuc
Barbara Gelman
Second Unit Director:
Fred Waugh
Second Unit Director of Photography:
Al Smith
David B. Nowell
Second Unit First Assistant Director:
Pierre Houle
Donald Newman
Set Decoration:
Gilles Aird
Patricia Hall
Sound Effects Editor:
Fred Brennan
Alan Geldart
Debbie Horowitz
Tom McMurtry
Sound Mixer:
Daniel Masse
David Weisshaar
Sound Re-Recording Mixer:
Paul Massey
Peter Kelly
Al Ormerod
Special Effects:
Paul Stewart
Samuel E. Price
John Bruce Robles
Bill Gene Murphy
Special Effects Supervisor:
John Thomas
Special Effects Technician:
Antonio Vidosa
Dean Lockwood
Pierre 'Bill' Rivard
Darrell Pritchett
Steadicam Operator:
Stephen S. Campanelli
Still Photographer:
Takashi Seida
Pierre Dury
Robert Brown
Stunt Coordinator:
Betty Thomas Quee
Minor Mustain
Stunt Driver:
Gary Hymes
Matt Johnston
Cotton Mather
Paul Rutledge
Johnny Goar
Stunts:
Gary J. Wayton
Ric Roman Waugh
Supervising Producer:
Don Carmody
Supervising Sound Editor:
Bruce Nyznik
Wardrobe Assistant:
Isabelle Dupire
Danna Edwards
Kathy Monderine
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.