One Hundred and One Dalmatians (1961) [G]

Release Date:
January 25, 1961

Original Title:
One Hundred and One Dalmatians

Alternate Titles:
101 Dalmatians
101 Dalmatiner
101 Dalmatinere
101 Dálmatas - La noche de las narices frías
101 dálmatas
101 dálmatas: la noche de las narices frías
101 דלמטים
101 כלבים וגנבים
101忠狗1
101마리 달마시안
A Guerra dos Dálmatas
De 101 dalmatinerna I - Pongo och de 101 dalmatinerna
Hund og hund imellem
La Carica dei 101
La carica dei cento e uno
Pongo och valptjuvarna
Τα 101 Σκυλιά της Δαλματίας
ასერთი დალმატინელი

Genres:
Adventure | Animation | Comedy | Family

Production Companies:
Walt Disney Productions

Production Countries:
United States of America

Ratings / Certifications:
AT: 6  AU: G  BE: AL  BR: L  CZ: U  DK: A  ES: APTA  FI: S  FR: TP  GB: U  HU: KN  IE: G  IT: T  JP: PG12  MX: AA  NL: AL  PT: M/6  SE: Btl  US: G 

Runtime: 79

The Canine Caper of the Century

When a litter of dalmatian puppies are abducted by the minions of Cruella De Vil, the parents must find them before she uses them for a diabolical fashion statement. In a Disney animation classic, Dalmatian Pongo is tired of his bachelor-dog life. He spies lovely Perdita and maneuvers his master, Roger, into meeting Perdita's owner, Anita. The owners fall in love and marry, keeping Pongo and Perdita together too. After Perdita gives birth to a litter of 15 puppies, Anita's old school friend Cruella De Vil wants to buy them all. Roger declines her offer, so Cruella hires the criminal Badun brothers to steal them -- so she can have a fur coat.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

American Film Institute (AFI)

2003
#39
100 Years: 100 HEROES & VILLAINS
50 Greatest Villains
“Cruella De Vil”

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.