A work in constant progress (and occasional regress).
Release Date:
January 28, 2010
Original Title:
Edge of Darkness
Alternate Titles:
A sötétség határán
Al filo de la oscuridad
Al límite
Auftrag Rache - Edge of Darkness
Furia
Hors de contrôle
La Frontière des ténèbres
O Fim da Escuridão
Возмездие
Відплата
Межа темряви
驚爆萬惡城
Genres:
Crime | Drama | Mystery | Thriller
Production Companies:
BBC Film
GK Films
Icon Productions
Warner Bros. Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
BR: 14 CH: 16 DE: 16 DK: 15 ES: 16 GB: 15 GR: 16 IE: 15 NL: 16 PT: M/12 TW: 12+ US: R
Runtime: 117
As a seasoned homicide detective, Thomas Craven has seen the bleakest side of humanity. But nothing prepares him for the toughest investigation of his life: the search for his only daughter Emma's killer. Now, he is on a personal mission to uncover the disturbing secrets surrounding her murder, including corporate corruption, government collusion and Emma's own mysterious life.
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ADR Mixer:
Peter Gleaves
Additional Camera:
Matthew Moriarty
Art Department Coordinator:
Carly Serodio
Art Direction:
Suzan Wexler
Mark Satterlee
Ramsey Avery
Assistant Art Director:
Ron Mason
Boom Operator:
Joel Reidy
Camera Operator:
Brant S. Fagan
Bill Trautvetter
Greg Baldi
Lukasz Jogalla
Casting:
Carolyn Pickman
Pam Dixon
Co-Executive Producer:
Jamie Laurenson
Co-Producer:
Kwame Parker
Construction Coordinator:
Theodore Suchecki
Steve Callas
Costume Design:
Lindy Hemming
Costume Supervisor:
Jennifer Jobst
Dialect Coach:
Elizabeth Himelstein
Howard Samuelsohn
Dialogue Editor:
Paul Curtis
Beth Sterner
Digital Intermediate:
Everette Webber
Gregg Schaublin
Director:
Martin Campbell
Director of Photography:
Phil Meheux
Dolly Grip:
Michael Brennan
Editor:
Stuart Baird
Executive Producer:
E. Bennett Walsh
Suzanne Warren
Gail Lyon
David M. Thompson
First Assistant Director:
Jamie Marshall
First Assistant Editor:
Ron South
Foley:
Dan O'Connell
Gaffer:
Scott D. Davis
Greensman:
David Corral
Hairstylist:
Raul Hernandez
Kelvin R. Trahan
Catherine Marcotte
Diane Dixon
Key Grip:
Michael J. Coo
Leadman:
Paolo DeLeon
Paul Richards
Location Manager:
Charles Harrington
Mark Fitzgerald
Makeup Artist:
John Caglione Jr.
Rob Fitz
Denise Paulson
Makeup Department Head:
Felicity Bowring
Makeup Effects:
Greg Nicotero
Howard Berger
Music Editor:
Jen Monnar
Original Music Composer:
Howard Shore
Producer:
Michael Wearing
Tim Headington
Graham King
Lucienne Papon
Kwame Parker
Production Design:
Thomas E. Sanders
Production Sound Mixer:
Pud Cusack
Property Master:
David Gulick
Rigging Gaffer:
Mark J. Casey
Scenic Artist:
Hannah King
Rae Signer
Lance Littlefield
Screenplay:
William Monahan
Andrew Bovell
Script Supervisor:
Lisa Arnone
Anna Rane
Second Assistant Director:
Thomas Coe
Second Second Assistant Director:
Deon Boyce
Second Unit Director:
John Mahaffie
Set Costumer:
Myron Baker
Rosa J. Colón
Alyson MacInnis
Hillary Derby
Honah Lee Milne
Set Decoration:
Jay Hart
Set Designer:
Cosmas A. Demetriou
Sound Effects Editor:
Kevin Murray
Jason King
William Cawley
Sound Re-Recording Mixer:
John T. Reitz
Gregg Rudloff
Special Effects Coordinator:
R. Bruce Steinheimer
Steadicam Operator:
Peter McCaffrey
Still Photographer:
Macall B. Polay
Stunt Coordinator:
Gary Powell
Stunt Double:
Tina Fuchs Wanner
Aaron Vexler
Norman Douglass
Stunt Driver:
Gianna Simone
Kristi Lynn
Stunts:
Billy D. Lucas
Peter Epstein
J.J. Perry
Peter Bucossi
Samantha MacIvor
Rick Avery
Supervising ADR Editor:
James Simcik
Supervising Art Director:
Greg Berry
Supervising Sound Editor:
Bub Asman
Alan Robert Murray
Transportation Coordinator:
William O'Brien
Mike Davis
Unit Production Manager:
E. Bennett Walsh
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.