A work in constant progress (and occasional regress).
Release Date:
May 4, 2004
Original Title:
Cavedweller
Genres:
Drama
Production Companies:
Cavedweller Productions Ltd.
Dufferin Gate Productions
Orly Adelson Productions
Showtime Networks
Production Countries:
Canada | United States of America
Ratings / Certifications:
US: R
Runtime: 105
A traumatic event sends a musician back to her hometown in an effort to reunite with the daughters she abandoned. To do so, she must confront her abusive ex-husband, from whom she fled years ago.
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ADR Editor:
P. Patrick Hogan
Art Direction:
James Oswald
Camera Operator:
Cudah Andarawewa
Co-Producer:
Valerie Stadler
Construction Coordinator:
Dave Bracken
Costume Design:
Joyce Schure
Costume Supervisor:
Jody Orsini
Dialogue Editor:
Russell DeWolf
Mark Boegal
Director:
Lisa Cholodenko
Director of Photography:
Xavier Grobet
Editor:
Amy E. Duddleston
Executive Producer:
Orly Adelson
Robert Halmi Jr.
Kyra Sedgwick
David Yudain
First Assistant Director:
David McAree
Gaffer:
Vojislav Mikulic
Key Hair Stylist:
Peggy Kyriakidou
Kenneth Walker
Key Makeup Artist:
Christina Smith
Makeup Artist:
Sid Armour
Makeup Department Head:
Catherine Viot
Music Editor:
Angie Rubin
Music Supervisor:
Robin Urdang
Novel:
Dorothy Allison
Original Music Composer:
Wendy Melvoin
Producer:
Michael Levine
Production Coordinator:
Anthony Pangalos
Production Design:
Phillip Barker
Property Master:
Peter Miskimmin
Script Supervisor:
Winnifred Jong
Set Decoration:
Elizabeth Calderhead
Sound Effects Editor:
Todd Murakami
Brian Thomas Nist
Special Effects Coordinator:
Brock Jolliffe
Still Photographer:
Ben Mark Holzberg
Ken Woroner
Stunt Coordinator:
Roy T. Anderson
Merritt Yohnka
Stunts:
Danny Wynands
Robin Bonaccorsi
Supervising Sound Editor:
Mark Kamps
Writer:
Anne Meredith
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.