A work in constant progress (and occasional regress).
Release Date:
January 28, 2012
Original Title:
De jueves a domingo
Alternate Titles:
Thursday Till Sunday
Genres:
Drama
Production Companies:
Cinestación
Circe Films
Forastero
Production Countries:
Chile | Netherlands
Ratings / Certifications:
US: NR
Runtime: 96
As she and her family embark on a short vacation, a young Chilean girl slowly comes to the realization that her parents might be splitting up.
Additional Casting:
Soledad Gaspar
Administration:
Gilda Cid
Art Direction:
Estefania Larrain
Assistant Art Director:
Valentina Mac-Pherson
Assistant Director:
Gabriela Sobarzo
Liu Marino
Assistant Editor:
María José Concha
Associate Producer:
Carmen Couve
Boom Operator:
Peter Rosenthal
Casting:
Francisca Castillo
Co-Producer:
Stienette Bosklopper
Color Grading:
Daniel Dávila
Continuity:
Gabriela Sobarzo
Development Producer:
Dominga Sotomayor
Macarena López
Benjamín Doménech
Dialogue Editor:
Roberto Espinoza
Director:
Dominga Sotomayor
Director of Photography:
Bárbara Álvarez
Editor:
Catalina Marín Duarte
Danielle Fillios
First Assistant Camera:
Cristián Gonzalez Santibañez
Gaffer:
Tomás Valdivieso
Makeup & Hair:
Pamela Pollak
Other:
Victor Uribe
Christian Cosgrove
José Luis Torres Leiva
Simone Pavin
Post Production Coordinator:
Florencia Larrea
Producer:
Gregorio González
Benjamín Doménech
Production Manager:
Ely Fenner
Script Consultant:
Alicia Scherson
Miguel Machalski
Second Assistant Director:
Alejandro Lagos
Sound:
Claudio Vargas
Sound Designer:
Roberto Espinoza
Sound Effects:
Pablo Bahamóndez
Sound Mixer:
Roberto Espinoza
Still Photographer:
Andrés Gachón
Benjamín Doménech
Writer:
Dominga Sotomayor
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.