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Hannah Arendt (2012) [NR]

Release Date:
September 11, 2012

Original Title:
Hannah Arendt

Alternate Titles:
Hana Arent
Hannah Arendt - Ideias Que Chocaram o Mundo
Ханна Арендт
汉娜鄂兰：真理无惧

Genres:
Drama

Production Companies:
ARD
Heimatfilm
Les Productions de l'Amour Fou
MACT Productions

Production Countries:
France | Germany | Luxembourg

Ratings / Certifications:
BR: 12  DE: 6  GR: Κ-12  IE: 12  KR: 15  US: NR 

Runtime: 113

Her ideas changed the world

Overview from TheMovieDB

HANNAH ARENDT is a portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.

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Production

Art Direction:
Anja Fromm

Co-Producer:
Michel Zana
David Silber
Bady Minck
Alexander Dumreicher-Ivanceanu
Sophie Dulac
Antoine de Clermont-Tonnerre

Commissioning Editor:
Michael André
Cornelia Ackers
Hans-Wolfgang Jurgan
Birgit Titze

Costume Design:
Frauke Firl

Director:
Margarethe von Trotta

Director of Photography:
Caroline Champetier

Editor:
Bettina Böhler

Line Producer:
Sascha Verhey
Sabine Schenk
Micky Rabinovitz
Rüdiger Jordan

Original Music Composer:
André Mergenthaler

Producer:
Johannes Rexin
Bettina Brokemper

Production Design:
Volker Schäfer

Screenplay:
Margarethe von Trotta
Pamela Katz

Set Decoration:
Petra Klimek

Sound Designer:
Greg Vittore

Sound Recordist:
Michael Busch

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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