A work in constant progress (and occasional regress).
Release Date:
September 15, 1989
Original Title:
Sea of Love
Alternate Titles:
A szerelem tengere
Melodía de seducción
Prohibida obsesión
Seduzione Pericolosa
Vítimas de uma Paixão
Genres:
Crime | Drama | Mystery | Romance | Thriller
Production Companies:
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M DE: 16 FR: TP GB: 18 GR: 16 HU: 18 IE: 18 JP: R18+ NL: 12 US: R
Runtime: 113
Seen-it-all New York detective Frank Keller is unsettled - he has done twenty years on the force and could retire, and he hasn't come to terms with his wife leaving him for a colleague. Joining up with an officer from another part of town to investigate a series of murders linked by the lonely hearts columns he finds he is getting seriously and possibly dangerously involved with Helen, one of the main suspects.
ADR Editor:
Lauren Filson
Denise Horta
Additional Editing:
John Wright
Additional Photography:
Adam Holender
Assistant Accountant:
Karen Demontbrun
Assistant Editor:
Francine Fleishman
Irvin Paik
Charlene Olson
Haydn Streeter
Assistant Location Manager:
Anne Richardson
Assistant Property Master:
Jeff Poulis
Assistant Set Decoration:
Richard Ferbrache
Associate Producer:
Michael Bregman
Best Boy Grip:
Howie Balbraith
Boom Operator:
Steve Switzer
Camera Operator:
Andy Chmura
Carpenter:
Boyd Allen
Casting:
Mary Colquhoun
Stuart Aikins
Costume Design:
Betsy Cox
Director:
Harold Becker
Director of Photography:
Ronnie Taylor
Dolly Grip:
Robert DaPrato
Editor:
David Bretherton
Extras Casting:
Scott Mansfield
First Assistant Art Direction:
Lucinda Zak
First Assistant Camera:
Yves Drapeau
Michael Hall
Horace Jordan
First Assistant Director:
Michael E. Steele
Thomas J. Mack
Foley Editor:
David Horton Jr.
Gaffer:
Rae Thurston
Grip:
Randy Tambling
Hairstylist:
Bryan Charbonneau
Bob Grimaldi
Key Makeup Artist:
Leslie A. Sebert
Location Manager:
Debra Beers
Makeup Artist:
Irving Buchman
Irene Kent
Music Editor:
Dan Carlin Sr.
Kathy Durning
Original Music Composer:
Trevor Jones
Producer:
Martin Bregman
Louis A. Stroller
Production Accountant:
Dorothy Precious
Production Assistant:
Liam Kiernan
Production Coordinator:
Toni Blay
Production Design:
John Jay Moore
Production Manager:
Barbara Kelly
Production Secretary:
Regina Robb
Property Master:
Vic Rigler
Scenic Artist:
Reet Puhm
Script Supervisor:
Blanche McDermaid
Second Assistant Camera:
Rick Perotto
Second Assistant Director:
Rocco Gismondi
David Sardi
Madeleine Henrié
Second Unit Director:
Dick Ziker
Set Decoration:
Gordon Sim
Set Dresser:
Raman Majlath
Sound Assistant:
Ron Meredith
Hank Brodkin
Sound Editor:
Samuel C. Crutcher
Dino DiMuro
Bruce Lacey
Sound Mixer:
Keith A. Wester
Sound Re-Recording Mixer:
Robert Knudson
Don Digirolamo
Robert Glass
Still Photographer:
Rob McEwan
Stunt Coordinator:
Dick Ziker
Stunts:
Dick Ziker
Glenn R. Wilder
Buddy Joe Hooker
Kenny Bates
Steve Boyum
Rick Parker
Shane Cardwell
Supervising Sound Editor:
Norval D. Crutcher
Randle Akerson
Transportation Coordinator:
Neil Montgomerie
Unit Production Manager:
Louis A. Stroller
Unit Publicist:
Joan Eisenberg
Wardrobe Assistant:
Debi Weldon
Wardrobe Master:
Gail Filman
Writer:
Richard Price
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.