A work in constant progress (and occasional regress).
Release Date:
December 1, 2023
Original Title:
Dogshift
Genres:
Drama
Production Companies:
VCA School of Film and Television
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 12
Two strangers, Dani and Isiah, cross paths while working at a dodgy restaurant in Melbourne’s bustling CBD. Despite their initial meeting arising from a kitchen conflict, they are forced to spend time together during this otherwise dull shift. It is within this shared time that an unlikely and profound connection develops between them both, leaving them to ponder the fleeting nature of their chance encounter.
ADR Recordist:
Matheus Healey
Assistant Editor:
Efe Vardarli
Boom Operator:
Rajveer Singh
Catering:
Paris Cassar
Tiana Genovese
Colorist:
Tim Morton
Consulting Editor:
Cindy Clarkson
Director:
Matheus Healey
Director of Photography:
Yohei Tang-Yamaoka
Editor:
Matheus Healey
First Assistant Director:
Isabella Mangano
Gaffer:
Abel Connors
Gabe Maisano
Original Music Composer:
Thomas Fernando
Post Production Assistant:
Madison Murphy
Post Production Coordinator:
Grayton Hevern
Post Production Producer:
Natalie Cunningham
Producer:
Matheus Healey
Production Coordinator:
Katie Bradley
Production Design:
Rena Li
Charlie Davis
Production Manager:
Angie Wong
Lily Lunder
Script Consultant:
Joey Hitten
Sound Designer:
Matheus Healey
Sound Mixer:
Dale Warren
Sound Recordist:
Efe Vardarli
Still Photographer:
Ngau Kai Juan
Supervising Producer:
Helen Gaynor
Thanks:
Alex Wu
Jess Mitchell
Adrian Holmes
Writer:
Matheus Healey
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.