A work in constant progress (and occasional regress).
Release Date:
March 30, 2012
Original Title:
Buona giornata
Genres:
Comedy
Production Companies:
International Video 80
Mediaset Premium
Medusa Film
Sky Cinema
Production Countries:
Italy
Ratings / Certifications:
IT: T
Runtime: 88
A common day in the actual Italy, narrated by the different stories of seven different people, it's the starting point for an overview to the 21st century's italian society, among corrupt politicians, unfaithful husbands, hardcore soccer fans and dishonest businessmen.
Additional Camera:
Gianmaria Majorana
Administration:
Roberto Moscatello
Assistant Editor:
Shara Spinella
Marina Verri
Boom Operator:
Roberto Tommaselli
Andrea Corbisier
Camera Operator:
Roberto Luzzi
Casting:
Barbara Giordani
Costume Design:
Nicoletta Ercole
Director:
Carlo Vanzina
Director of Photography:
Carlo Tafani
Editor:
Raimondo Crociani
First Assistant Camera:
Martino Tagliaferri
First Assistant Director:
Giorgio Melidoni
Gaffer:
Massimo Cecchini
Hair Department Head:
Adel Saada
Hairstylist:
Roberta Mariani
Key Grip:
Gianpaolo Majorana
Line Producer:
Stefano Bolzoni
Location Manager:
Federico Santangelo
Makeup Artist:
Biasi Pierangela
Makeup Department Head:
Gino Tamagnini
Original Music Composer:
Manuel De Sica
Producer:
Enrico Vanzina
Production Coordinator:
Barbara Russo
Production Design:
Tonino Zera
Production Manager:
Alberto Sammarco
Script Supervisor:
Paola Mengoni
Second Assistant Camera:
Andrea Curri
Second Assistant Director:
Michele Rivolta
Paolino Blandano
Set Decoration:
Valeria Zamagni
Daniela Zorzetto
Sound:
Glauco Puletti
Sound Editor:
Enrico Pellegrini
Sound Effects Editor:
Thomas Giorgi
Sound Mixer:
Andrea Lancia
Steadicam Operator:
Sascia Ippoliti
Still Photographer:
Emilio Lari
Unit Manager:
Simone Cialoni
Marco Sanguinetti
VFX Supervisor:
Stefano Marinoni
Writer:
Carlo Vanzina
Enrico Vanzina
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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