A work in constant progress (and occasional regress).
Release Date:
September 29, 2008
Original Title:
Nina Simone: Live in '65 & '68
Alternate Titles:
Jazz Icons: Nina Simone
Genres:
Music
Ratings / Certifications:
N/A
Runtime: 63
Two incredible concerts from 1965 and 1968 showcasing the multifaceted diva in all her glory. Simone shines as a jazz vocalist extraordinaire on “Tomorrow Is My Turn,” as a definitive folk interpreter on Bob Dylan’s “The Ballad Of Hollis Brown” and as a passionate civil rights activist on both the epic “Four Women” and the scorching “Mississippi Goddam.” This DVD is a must for Nina Simone fans as she displays all of the qualities that made her both a supremely gifted jazz singer and pianist as well as the “High Priestess of Soul.”
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.