A work in constant progress (and occasional regress).
Release Date:
November 15, 2023
Original Title:
Ööbik
Genres:
Drama
Production Companies:
Allfilm
Tandem Film
Production Countries:
Estonia
Ratings / Certifications:
N/A
Runtime: 22
Autumn 1944 in Tallinn, Estonia. German forces retreat as the Russian army settles in. Young soldier Aleksei is sent from the frontline to work in a prison filled with Estonian political prisoners.
Assistant Editor:
Krõõt Kaldre
Assistant Location Manager:
Artjom Kotšaš
Martin Pihlap
Assistant Makeup Artist:
Inge-Riin Õun
Karoliina Villem
Casting:
Sofia Mihhaljova
Catering:
Maie Rosmann
Kadri Schüts
Ants Mägi
Co-Writer:
Anti Naulainen
Colorist:
Juss Saska
Continuity:
Helari Saaremäe
Costume Design:
Mari Liis Bunder
Data Wrangler:
Sander Lebreht
Director:
Leeni Linna
Director of Photography:
Juss Saska
Editor:
Andres Hallik
Electrician:
Do Hyun Kang
Artjom Kotšaš
Martin Pihlap
Erik Kiviselg
Executive Producer:
Maie Rosmann
First Assistant Camera:
Simmo Saska
Annika Väljataga
First Assistant Director:
Juri Krutii
Foley Artist:
Anna-Maria Jams
Gaffer:
Juss Rebane
Kerth Aun
Graphic Designer:
Eliisabet Kuslap
Hairdresser:
Evely Jaave-Eevel
Hanna Nigul
Location Manager:
Sander Lebreht
Makeup Artist:
Madli Maasikas
Original Music Composer:
Ardo Ran Varres
Producer:
Sander Lebreht
Production Assistant:
Sonja Gross
Production Design:
Eliisabet Merete Leppoja
Production Sound Mixer:
Antti Mäss
Project Manager:
Sofia Mihhaljova
Property Master:
Katharina Kuusemets
Second Assistant Camera:
Marten Aun
Second Assistant Director:
Polina Turov
Sound Designer:
Markus Andreas
Sound Re-Recording Mixer:
Markus Andreas
Special Effects:
Rasmus Puksmann
Steadicam Operator:
Ants Martin Vahur
Stunts:
Ruslan Aizatulin
Theme Song Performance:
Kärt Kull
Title Designer:
Andres Kluge
Visual Effects:
Juss Saska
Writer:
Leeni Linna
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.