A work in constant progress (and occasional regress).
Original Title:
Ficken für Freiheit
Genres:
Drama
Production Companies:
Leitwolf Filmproduktion
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 110
Nore and Jonna meet again by chance in their early twenties and move in together. In conversations, it becomes clear that Nore was never the precocious "femme fatale" who admired as well as bullied Jonna, but experienced sexual assault as a young girl. As Nore struggles to reclaim the narrative for herself, a genuine friendship develops.
Additional Lighting Technician:
Anton Schniewind
Assistant Costume Designer:
Lisa Gnutzmann
Assistant Production Design:
Stefanie Walter
Assistant Property Master:
Isabel Lampe
Assistant Unit Manager:
Youssif Ibrahim
Boom Operator:
Charlotte Klemm
Casting Director:
Karl Schirnhofer
Colorist:
Lou Temmesfeld
Commissioning Editor:
Sara Günter
Continuity:
Jonathan Schulz
Costume Designer:
Hanna Pulkkinen
Costumer:
Anne Gebrande
Floriana Bonera
Crowd Assistant Director:
Binjamin Hiseni
Director:
Hille Norden
Director of Photography:
Bine Jankowski
Driver:
Jean Berger
Editorial Staff:
Jana Bäuerle
First Assistant Camera:
Ivan Reis Oliveira
First Assistant Director:
Levke Palm
Gaffer:
Axel Gerling
Health and Safety:
Sarah Lee
Key Grip:
Veronika Mühlenberg
Lighting Technician:
Sven König
Miguel Ibáñez Fonseca
Location Manager:
Kim Sophie Schwarz
Makeup & Hair:
Nina Heppelmann
Astrid Weber
Producer:
Paula Lichte
Production Assistant:
Jule Kindler
Production Design:
Max-Josef Schönborn
Production Driver:
Jerome Dupuis
Matthias Kühl
Production Manager:
Maria Hoffmann
Production Sound Mixer:
Giacomo Goldbecker
Property Master:
Anna Strohmeier
Set Decoration:
Alina Iman Dunker
Standby Property Master:
Franziska Neisener
Still Photographer:
O-Young Kwon
Unit Manager:
Eric Schwarz
Writer:
Hille Norden
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.