A work in constant progress (and occasional regress).
Release Date:
September 28, 2024
Original Title:
Simona Kossak
Genres:
Drama | History
Production Companies:
Balapolis
Hollman Emea
Human Film
Krakowskie Biuro Festiwalowe
MFF
MIK
Wytwórnia Filmów Dokumentalnych i Fabularnych
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 100
Simona Kossak - daughter of the painter Jerzy Kossak and granddaughter of Wojciech - deprived of the talent that has defined her family for generations, grows up without knowing the warmth of her despotic mother. When, after graduation, she leaves everything - home, tradition, social conventions - and takes up a job as a scientist in Białowieża, she starts life on her own terms.
Acting Double:
Klara Kłosińska
Additional Photography:
Tomasz Gładys
Administration:
Szymon Barwiński
Animation:
Piotr Wojciechowski
Adrianna Kaczmarek
Kateryna Molchanova
Animation Supervisor:
Rafał Schubert
Assistant Editor:
Hubert Sienicki
Assistant Makeup Artist:
Martyna Sikora
Assistant Production Design:
Urszula Kałabun
Assistant Production Manager:
Bartosz Bretes
Assistant Property Master:
Dariusz Rzepecki
Rafał Wierzbicki
Konrad Dąbrowski
Tomasz Wasiak
Boom Operator:
Tomasz Malinowski
Konrad Serowiecki
CGI Supervisor:
Andrzej Legiędź
Camera Operator:
Cezary Stolecki
Mateusz Kanownik
Casting:
Żywia Kosińska
Catering:
Kamil Owsiński
Wiktoria Domańska
Rajmund Bączkowski
Natalia Salamonik
Co-Producer:
Zbigniew Domagalski
Carolina Pietyra
Magdalena Ulejczyk
Anna Spisz
Artur Junak
Compositing Artist:
Mikołaj Zientalski
Marcin Struniawski
Oleksandr Malets
Piotr Grabarczyk
Coordinating Producer:
Anna Ostalska
Costume Assistant:
Milena Łazarkiewicz
Costume Design:
Paulina Sieniarska
Kalina Lach
Digital Intermediate:
Cezary Grzesiuk jr
Director:
Adrian Panek
Director of Photography:
Jakub Stolecki
Editor:
Piotr Kmiecik
Karolina Grabowska
Executive Producer:
Julia Jendrysik
Extras Casting:
Marlena Masłowska
Health and Safety:
Wojciech Konkol
Interior Designer:
Anna Pabisiak
Intern:
Milena Łazarkiewicz
Key Grip:
Lucjan Mleczko
Norbert Bernstock
Lighting Artist:
Kamil Zawistowski
Martyna Werner
Paul Pillan
Makeup Artist:
Anna Nobel
Master Lighting Artist:
Marcin Majewski
Modeling:
Agnieszka Legiędź
Michał Kwolek
Ivan Makarkou
Music Consultant:
Anna Malarowska
Monika Graf
Musician:
Robert Rasz
Andrzej Olewiński
Wojciech Gumiński
Michał Woźniak
Jacek Szwaj
Orchestrator:
Fryderyk Lutyński
Andrzej Trześniowski
Original Music Composer:
Bartosz Chajdecki
Post Production Coordinator:
Urszula Lipińska
Producer:
Magdalena Kamińska
Agata Szymańska
Production Coordinator:
Magdalena Spławska
Production Design:
Agata Adamus
Production Manager:
Julia Jendrysik
Property Master:
Tomasz Figura
Public Relations:
Joanna Jakubik
Michał Mieczkowski
Leokadia Kubicka
Emilia Cygnarowicz
Aleksandra Karbowiak-Dajewska
Aleksandra Misiak
Script Supervisor:
Thomas Wrobel
Sound:
Aleksander Musiałowski
Sound Designer:
Aleksander Musiałowski
Sound Editor:
Aleksander Musiałowski
Special Props:
Anna Rzeźniczek
Steadicam Operator:
Stanisław Marcinkowski
Still Photographer:
Jarosław Sosiński
Julia Olińska
Karolina Grabowska
Storyboard:
Krystyna Motyka
Stunt Coordinator:
Jarosław Golec
Łukasz Czubak
Stunts:
Damian Majewski
Tomasz Drężek
Translator:
Urszula Lipińska
Adam Banaszkiewicz
VFX Editor:
Aleksander Kalecinski
Cezary Grzesiuk jr
VFX Supervisor:
Mikołaj Zientalski
Mahesh Gadakh
Andrey Andrushevich
Visual Effects:
Paweł Fatalski
Marta Rynkiewicz
Szymon Adamski
Paweł Szczurowski
Paulina Dmowska
Paweł Pyziński
Łukasz Ignaczak
Visual Effects Coordinator:
Marcin Będkowski
Visual Effects Producer:
Marina Sawicka
Mahesh Gadakh
Writer:
Adrian Panek
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.