A work in constant progress (and occasional regress).
Release Date:
December 2, 2022
Original Title:
Horoz Dövüşü
Genres:
Drama
Production Companies:
Orak Film
Unified Field Media
Production Countries:
Canada | Turkey
Ratings / Certifications:
N/A
Runtime: 88
Two years after escaping from an ISIS prison in Mosul, a once successful Turkish war photographer is still a mess. He can’t sleep or forgive his wife for what happened to their daughter while he was away. When Hazar visits a hammam, he is confronted by the man who destroyed his life. But discovering that his former torturer is hiding a secret much greater and more dangerous than any terrorist plot, Hazar realizes his plan for revenge has led him back into the war where people are just game birds forced to fight for pleasure and profit. This time he has brought the cockfight home.
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Art Direction:
Ahmet Bilal Karataş
Assistant Director:
Onur Özkan
Chief Lighting Technician:
Şahin Alışkan
Co-Producer:
Aydın Orak
Costume Designer:
Meltem Balkaban
Director:
Majid Panahi
Director of Photography:
Refik Çakar
Editor:
Mesut Ulutaş
Executive Producer:
Barrie Dunn
Mahmut İslam Bilir
First Assistant Director:
Naciye Eralp
Foley Artist:
Amir Mohabbati
Makeup & Hair:
Ayşe Gaye Yılmaz
İnanç Selvi
Original Music Composer:
Kaveh Salehi
Producer:
Patrick Graham
John BV Kelly
Majid Panahi
Burcu Panahi
Production Design:
Mustafa Ziya Ülkenciler
Sound Designer:
Vahid Moghadasi
Sound Editor:
Amir Mohabbati
Sound Mixer:
Vahid Moghadasi
Sound Recordist:
Kemal Taylular
Still Photographer:
Younes Mohammad
Storyboard:
Roni Batte
Ayberk Doğan
Writer:
Patrick Graham
Majid Panahi
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.