A work in constant progress (and occasional regress).
Release Date:
April 24, 2024
Original Title:
N’avoue jamais
Alternate Titles:
Liebesbriefe aus Nizza
Un homme de principe
Genres:
Comedy
Production Companies:
France 3 Cinéma
Mizar Films
Nac Films
Wild Bunch
Production Countries:
France
Ratings / Certifications:
CH: 8 ES: 7 HU: 16
Runtime: 94
François Marsault, a war veteran, makes the most of his retirement alongside his wife Annie. Authoritarian and ruthless, François rules his family with an iron fist — but when he discovers that his esteemed wife cheated on him 40 years ago, he files for divorce and confronts her former lover, who lives in the French Riviera.
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Assistant Art Director:
Nathalie Serrière
Colorist:
Natacha Louis
Delegated Producer:
Jérôme Corcos
Nicolas Mauvernay
Antoine Pezet
Dialogue Editor:
Vincent Cosson
Director:
Ivan Calbérac
Director of Photography:
Philippe Guilbert
Drone Operator:
Lucien Durris
Drone Pilot:
Walter Romand
Editor:
Reynald Bertrand
Extras Casting:
Jacques-Emmanuel Astor
First Assistant Camera:
Sophie Lemaire
First Assistant Director:
Morgan Autexier
Foley Artist:
Franck Tassel
Foley Mixer:
Matthieu Tibi
Music Supervisor:
Angele Monchaux
Original Music Composer:
Laurent Aknin
Post Production Assistant:
Morgan Costa Rouchy
Script Supervisor:
Marion Pastor
Second Assistant Camera:
Arthur Grivel
Second Assistant Director:
Louise Delécaut
Sound Editor:
Jérôme Gonthier
Sound Re-Recording Mixer:
Vincent Cosson
Steadicam Operator:
Benoît Theunissen
Writer:
Ivan Calbérac
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.