A work in constant progress (and occasional regress).
Release Date:
March 2, 1970
Original Title:
Two Mules for Sister Sara
Alternate Titles:
Doi catâri pentru sora Sara
Dos Mulas para la Hermana Sara
Dos mulas y una mujer
Dva mezci pro sestru Sáru
Ein Fressen fuer die Geier
Gli avvoltoi hanno fame
Han kom, han så, han skød
Kourallinen dynamiittia
Két öszvér Sára nővérnek
Los Buitres Tienen Hambre
Muły siostry Sary
Os Abutres Têm Fome
Sara'ya İki Katır
Sara'ya İki Qatır
Sierra Torrida
Οι γύπες πετούν χαμηλά
Два мула для сестри Сари
Два мула для сестры Сары
真昼の死闘
Genres:
Western
Production Companies:
Malpaso Productions
Martin Rackin Productions
Sanen Productions
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
BR: 14|12 DE: 16 FR: U GR: 13 IE: 15 NL: 16 SE: 15 US: PG
Runtime: 114
When a wandering mercenary named Hogan rescues a nun called Sister Sara from the unwanted attentions of a band of rogues on the Mexican plains, he has no idea what he has let himself in for. Their chance encounter results in the blowing up of a train and a French garrison, as well as igniting a spark between them that survives a shocking discovery.
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Art Direction:
José Rodríguez Granada
Assistant Director:
Manuel Muñoz 'Torito'
Joseph C. Cavalier
Costume Design:
Helen Colvig
Carlos Chávez
Dialogue Coach:
Leon Charles
Director:
Don Siegel
Director of Photography:
Gabriel Figueroa
Editor:
Robert F. Shugrue
Juan José Marino
Hairstylist:
Evelina Casas
Makeup Artist:
Margarita Ortega
Frank Westmore
Music Supervisor:
Stanley Wilson
Original Music Composer:
Ennio Morricone
Producer:
Carroll Case
Martin Rackin
Screenplay:
Albert Maltz
Second Unit Cinematographer:
Gabriel Torres
Second Unit Director:
Joseph C. Cavalier
René Cardona
Set Decoration:
Pablo Galván
Sound:
Ronald Pierce
Waldon O. Watson
Jesús González Gancy
Special Effects:
León Ortega
Frank Brendel
Story:
Budd Boetticher
Stunt Coordinator:
Buddy Van Horn
Unit Production Manager:
Alfonso Sánchez Tello
William Davidson
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.