A work in constant progress (and occasional regress).
Release Date:
January 13, 2012
Original Title:
Miegančių drugelių tvirtovė
Genres:
Drama
Production Companies:
Studio Uljana Kim
Production Countries:
Lithuania
Ratings / Certifications:
N/A
Runtime: 120
Monika, a middle-aged wealthy woman, goes through a marriage crisis with her younger husband Linas. A car accident leads Monika to meeting three young girls, Kristina, Egle and Gitana, who happen to be ex-prostitutes extradited from Germany. The lady and the girls settle down in a country mansion, to form a relationship that will change their lives forever
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Art Direction:
Algis Garbačiauskas
Assistant Art Director:
Darius Bastys
Assistant Camera:
Povilas Baltinas
Assistant Costume Designer:
Gražina Eimutytė
Odeta Morkūnienė
Renata Petuchovaitė
Juzefa Salatinskaja
Laura Žaliauskaitė
Assistant Director:
Vaida Blažytė
Rimantė Puipienė
Assistant Makeup Artist:
Jurgita Globytė
Božena Moisejenko
Assistant Property Master:
Aurelijus Gaidelionis
Boom Operator:
Marius Blažys
Sigitas Motoras
Cableman:
Julius Grigelionis
Compositor:
Tomas Kutavičius
Costume Design:
Agnė Rimkutė
Director:
Algimantas Puipa
Director of Photography:
Viktoras Radzevičius
Editor:
Ričardas Matačius
Electrician:
Zdislav Jagelo
First Assistant Director:
Asta Rizgelienė
Focus Puller:
Linas Dikčius
Rolandas Joneliūkštis
Grip:
Henrikas Gudlevičius
Marik Korvin-Petrovskij
Key Grip:
Vytautas Gudlevičius
Line Producer:
Kristijonas Puipa
Location Manager:
Inga Žavoronok
Makeup Designer:
Eglė Mikalauskaitė
Music:
Kipras Mašanauskas
Novel:
Jurga Ivanauskaitė
Producer:
Uljana Kim
Production Accountant:
Rūta Navickaitė
Property Master:
Ramūnas Rastauskas
Second Assistant Director:
Rasa Rimkutė
Set Dresser:
Asta Urbonaitė
Asta Vildžiūnaitė
Sound:
Saulius Urbanavičius
Sound Re-Recording Mixer:
Jonas Maksvytis
Steadicam Operator:
Jurij Charciuk
Writer:
Algimantas Puipa
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.