A work in constant progress (and occasional regress).
Release Date:
November 2, 1962
Original Title:
How the West Was Won
Alternate Titles:
A Conquista do Oeste
Das war der wilde Westen
La conquista del Oeste
The Great Western Story
서부 개척사
Genres:
Western
Production Companies:
Cinerama Productions
Metro-Goldwyn-Mayer
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 BE: 12 BR: L DE: 12 GB: PG IE: PG JP: G PT: M/12 SE: 15 US: G
Runtime: 164
The epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family.
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2005 #25 |
100 Years: FILM SCORES
25 Greatest Film Scores Of All Time |
Art Department Assistant:
Tyrus Wong
Art Direction:
George W. Davis
William Ferrari
Addison Hehr
Assistant Director:
Hank Moonjean
George Marshall Jr.
William McGarry
Robert Saunders
William Shanks
Wingate Smith
Camera Operator:
Bill Johnson
James V. King
Camera Technician:
Owen Marsh
Color Assistant:
Charles K. Hagedon
Conductor:
Robert Armbruster
Robert Emmett Dolan
Alfred Newman
Costume Design:
Walter Plunkett
Ron Talsky
Director:
John Ford
Henry Hathaway
George Marshall
Director of Photography:
William H. Daniels
Milton Krasner
Charles Lang
Joseph LaShelle
Editor:
Harold F. Kress
Editorial Consultant:
Charles K. Hagedon
Grip:
Pete G. Papanickolas
Hair Designer:
Jay Sebring
Hairstylist:
Sydney Guilaroff
Leadman:
Matty Azzarone
Lyricist:
Ken Darby
Sammy Cahn
Johnny Mercer
Makeup Artist:
John Truwe
Lynn F. Reynolds
Makeup Designer:
William Tuttle
Music Coordinator:
Robert Emmett Dolan
Musician:
Robert Bain
Vince De Rosa
Carl Fortina
Tommy Morgan
Uan Rasey
Ethmer Roten
Louise Di Tullio
Negative Cutter:
Mike Henry
Orchestrator:
Jack Hayes
Leo Shuken
Original Music Composer:
Alfred Newman
Other:
Joan Joseff
Painter:
Frank Wesselhoff
Producer:
Bernard Smith
Production Executive:
Abe Steinberg
Production Supervisor:
Abe Steinberg
Thomas Conroy
Recording Supervision:
Franklin Milton
Script Supervisor:
Michael Preece
Second Unit Director:
Richard Talmadge
Second Unit Director of Photography:
Harold E. Wellman
Set Costumer:
Robert Fuca
Set Decoration:
Henry Grace
Don Greenwood Jr.
Jack Mills
Sound Editor:
Carl Brandon
Harold Humbrock
Van Allen James
Kendrick Kinney
John Lipow
Milo B. Lory
Special Effects:
Lester Swartz
Special Effects Technician:
Bob Overbeck
Charles Schulthies
Special Guest Director:
Richard Thorpe
Stunt Coordinator:
Richard Talmadge
Stunt Double:
Donna Hall
Loren Janes
Chuck Roberson
Stunts:
Hal Needham
Ronnie Rondell Jr.
Rick Arnold
May Boss
Polly Burson
Al Carmichael
Frank Cordell
Everett Creach
John Epper
Richard Farnsworth
Sol Gorss
Fred Graham
Donna Hall
Chuck Hayward
Charles Horvath
Loren Janes
Roy Jenson
Leroy Johnson
Eddie Juaregui
Cliff Lyons
Ted Mapes
Troy Melton
Louise Montana
Bob Morgan
Boyd 'Red' Morgan
Harvey Parry
Gil Perkins
Carl Pitti
Rusty Richards
Chuck Roberson
Danny Sands
Dick Shane
Dean Smith
Bob Terhune
Ken Terrell
Jerry Vance
Autry Ward
Troy Ward
Jack Williams
Jack N. Young
Joe Yrigoyen
Supervising Sound Editor:
John Logan
Visual Effects:
A. Arnold Gillespie
Robert R. Hoag
Vocals:
Dave Guard
Ken Darby
Paul Salamunovich
Sally Stevens
Writer:
John Gay
James R. Webb
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.