A work in constant progress (and occasional regress).
Release Date:
October 20, 2002
Original Title:
Scent of Danger
Alternate Titles:
Scent of Murder
Sur la piste du danger
Genres:
Drama | Mystery | TV Movie | Thriller
Production Companies:
Animal Planet
Carlton America
Production Countries:
Canada | United States of America
Ratings / Certifications:
N/A
Runtime: 86
FBI agent Carol Blue was unwilling to take local help in the case of the kidnapping of little Zoe Hendricks, but ex-cop Chris Milos' private investigation bureau proves just too good. His dog handler, Brenna Shaw, and her Alsatian, Brie, find the kidnapper holding Zoe and dropping the kid in the water on purpose so he can escape. They soon conclude it's not a ransom case but more personal, are contacted under the Biblical name Gideon 'judge', and get caught up in his macabre, vindictive games and gruesome logic
ADR Recordist:
Bruno Ruffolo
Art Department Coordinator:
Suzanne Labrecque
Assistant Editor:
Stéphane Brault
Assistant Foley Artist:
Christiane Hubert
Assistant Location Manager:
Brigitte Renaud
Elaine Langlais
Assistant Property Master:
Eric Bardin
Assistant Set Decoration:
Lucie Thibault
Assistant Unit Manager:
Amelie Rose
Best Boy Grip:
Jocelyne Beaulac
Boom Operator:
Nathalie Piche
Camera Operator:
Dominique Ricard
Camera Trainee:
Stéphane Caron
Casting:
Donald Paul Pemrick
Dean E. Fronk
Casting Assistant:
Shari Libman
Shawn Roberts
Rachel Segneri
Clapper Loader:
Alain Rousseau
Co-Executive Producer:
Jody Brockway
Costume Designer:
Odette Gadoury
Dialogue Editor:
Stan Sakeropolous
Michelle Cloutier
Giles Castieux
Director:
Peter Svatek
Director of Photography:
Peter Benison
Editor:
Jean Beaudoin
Executive Producer:
Stephen Davis
Linda S. Ross
Gary Goldberger
Extras Casting:
Leslie Roycroft
Caroline Landry
First Assistant Director:
Don Terry
Focus Puller:
Yves Drapeau
Foley Artist:
Paul Hubert
Foley Recordist:
Éric Lagacé
Gaffer:
François Warot
Grip:
Thierry Lacombe
Jonathan Ouimet
Hairdresser:
Lorraine Lecomte
Key Dresser:
Nathalie Chretien
Key Grip:
Patrice Dagenais
Key Hairdresser:
Martin Rivest
Key Makeup Artist:
Melissa Purino
Local Casting:
Andrea Kenyon
Randi Wells
Location Manager:
Louise Bedard
Makeup Artist:
Chanelle Ouellette
Novel:
Cynthia G. Alwyn
Original Music Composer:
James Gelfand
Post Production Coordinator:
Elissa Lewis
Producer:
Irene Litinsky
Production Coordinator:
Melanie Lavoie
Production Design:
Jean Kazemirchuk
Production Manager:
Danielle Lavoie
Property Buyer:
Marie-Claude Guay
Property Master:
Carole Arpin
Script Supervisor:
Isabelle Faivre-Duboz
Second Assistant Director:
Olivier Chouinard
Set Decoration:
Josée Pilon
Suzanne Cloutier
Sound Effects Editor:
Olivier Calvert
David Gertsman
Michael Gurman
Sound Mixer:
Aurélien Salvy
Sound Re-Recording Mixer:
Richard Betanzos
Special Effects Coordinator:
Martin Williams
Special Effects Technician:
Vincent Marier
Steve Simard
Steadicam Operator:
Denis-Noël Mostert
Still Photographer:
Yannick MacDonald
Stunt Coordinator:
Marc Désourdy
Stunt Double:
Karine Lemieux
Patrick Kerton
Nicole Germain
Supervising Dialogue Editor:
Scott Donald
Supervising Sound Editor:
Pierre-Jules Audet
Third Assistant Director:
Kathleen Hamel
Unit Production Manager:
Stephane Frechette
Wardrobe Coordinator:
Daniele Léger
Writer:
Dan Levine
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.