A work in constant progress (and occasional regress).
Release Date:
October 2, 1987
Original Title:
Near Dark
Alternate Titles:
Aux frontières de l'aube
Blisko ciemnosci
Cuando cae la oscuridad
Depois do Anoitecer
Il buio si avvicina
Los viajeros de la noche
Natten har sitt pris
Near Dark - Die Nacht hat ihren Preis
Pimeyden läheisyys
Quando Chega a Escuridão
Αγρια Νύχτα
На смрачаване
Почти стемнело
Сумрак
惡夜之吻
Genres:
Horror
Production Companies:
DEG
F/M
Near Dark Joint Venture
Production Countries:
United States of America
Ratings / Certifications:
AU: R 18+ DE: 18 FR: 12 GB: 18 KR: 18 US: R
Runtime: 94
A farm boy reluctantly becomes a member of the undead when a girl he meets turns out to be part of a band of vampires who roam the highways in stolen cars.
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ADR Editor:
Steve Rice
Art Direction:
Dian Perryman
Assistant Camera:
Lou Weinert
Assistant Editor:
Mary Ann Skweres
Assistant Production Coordinator:
Laura Cartwright
Associate Producer:
Mark Allan
Diane Nabatoff
Best Boy Electric:
Kyle T. MacDowell
Jack Yanekian
Best Boy Grip:
Scott Howell
Boom Operator:
Steve Sollars
Camera Operator:
Michael Ohrling
Carpenter:
Chris Tashima
Casting:
Karen Rea
Casting Associate:
Glenn F. Haines
Co-Producer:
Eric Red
Color Timer:
Art Tostado
Costume Design:
Joseph A. Porro
Costume Supervisor:
Leslie Weir
Dialogue Editor:
Steve Rice
Director:
Kathryn Bigelow
Director of Photography:
Adam Greenberg
Editor:
Howard E. Smith
Electrician:
George Palmer
John Pierce
Ben Felthouse
George Palmer
Executive Producer:
Edward S. Feldman
Charles R. Meeker
First Assistant Camera:
Vance Piper
First Assistant Director:
Guy J. Louthan
First Assistant Editor:
Grace Valenti
Foley Artist:
Joan Rowe
Jerry Trent
Foley Editor:
F. Hudson Miller
Gaffer:
Jono Kouzouyan
Grip:
Richard Crompton
Khan Griffith
Hugh McCallum
Hairstylist:
Daniel Marc
Linda Nottestad
Key Grip:
Robert Gray
Leadman:
Steve Doolittle
Location Manager:
George Herthel
Wally Uchida
Makeup Artist:
Davida Simon
Music Editor:
Jim Weidman
Negative Cutter:
Sally Dixon
Vivian Hengsteler
Original Music Composer:
Christopher Franke
Edgar Froese
Paul Haslinger
Post Production Supervisor:
Brent Sellstrom
Producer:
Steven-Charles Jaffe
Production Coordinator:
Karen Altman Morgenstern
Production Design:
Stephen Altman
Production Manager:
Mark Allan
Property Master:
Gregory R. Wolf
Rotoscoping Artist:
Bret Mixon
Scenic Artist:
Jay Burkhart
Thomas P. Wilkins
Eileen Winterkorn
Screenplay:
Kathryn Bigelow
Eric Red
Script Supervisor:
Connie Papineau
Constance L. Hoy
Second Assistant Camera:
Alicia Craft
Second Assistant Director:
John Scherer
Second Unit Cinematographer:
Michael Ohrling
Second Unit Director of Photography:
Chuck Colwell
Second Unit First Assistant Director:
Ian McVey
Set Dresser:
John Bucklin
Findlay Bunting
Eduardo H. Esparza
Brett Palmer
Jennifer Pray
Set Medic:
Bundy Chanock
Sound Designer:
David Lewis Yewdall
Sound Director:
Lee Chaloukian
Sound Effects Editor:
Holly Davis
Ted Goodspeed
Kelly Tartan
Sound Mixer:
Don Summer
Sound Re-Recording Mixer:
Grover B. Helsley
Richard D. Rogers
John Wilkinson
Special Effects Assistant:
Ray Beetz
Al Broussard
Edward J. Franklin
Joseph C. Sasgen
Special Effects Coordinator:
Dale L. Martin
Special Effects Makeup Artist:
Derek Howard
Gordon J. Smith
Still Photographer:
Gary Farr
Ron Phillips
Storyboard Artist:
Alan Munro
Stunt Coordinator:
Everett Creach
Stunts:
Mickey Alzola
Larry Bartels
Bob Ivy
Mike Johnson
Paul M. Lane
William T. Lane
Carey Loftin
Mike H. McGaughy
Eddie Mulder
Stevie Myers
Lee Poppie
Kristen Suzanne Raden
Michael Raden
Bob Terhune
Jim Wilkey
Jerry Wills
Billy Yarborough
Supervising Sound Editor:
R.J. Palmer
Third Assistant Director:
Chuck Williams
Transportation Captain:
Jeri Kelley
Transportation Coordinator:
Fred Robbins
Unit Manager:
Joe Dishner
Wardrobe Assistant:
Michael Tereschuk
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.