A work in constant progress (and occasional regress).
Release Date:
October 17, 1986
Original Title:
The Color of Money
Alternate Titles:
El color del dinero
Pulun Rəngi
The Hustler 2: The Color of Money
ハスラー2:1986
Genres:
Drama
Production Companies:
Silver Screen Partners II
Touchstone Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 CZ: 15+ DE: 12 DK: 11 FI: K-12 GB: 15 GR: 13 IE: 15 JP: G KR: 18 NL: 14 RU: 16+ SE: 11 US: R
Runtime: 119
Former pool hustler "Fast Eddie" Felson decides he wants to return to the game by taking a pupil. He meets talented but green Vincent Lauria and proposes a partnership. As they tour pool halls, Eddie teaches Vincent the tricks of scamming, but he eventually grows frustrated with Vincent's showboat antics, leading to an argument and a falling-out. Eddie takes up playing again and soon crosses paths with Vincent as an opponent.
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Casting:
Gretchen Rennell
Costume Design:
Richard Bruno
Costume Supervisor:
William Loger
Director:
Martin Scorsese
Director of Photography:
Michael Ballhaus
Editor:
Thelma Schoonmaker
First Assistant Director:
Joseph P. Reidy
Foley Artist:
Marko Costanzo
Gaffer:
James A. Miller
Hairstylist:
Brian J. Kossman
Key Hair Stylist:
Kathe Swanson
Makeup Artist:
Lillian Toth
Music:
Robbie Robertson
Novel:
Walter Tevis
Producer:
Irving Axelrad
Barbara De Fina
Production Design:
Boris Leven
Screenplay:
Richard Price
Second Unit Director:
Phil Marco
Set Decoration:
Karen O'Hara
Sound Editor:
Ron Bochar
Richard Goldberg
Thomas A. Gulino
Harry Peck Bolles
Jess Soraci
Sound Mixer:
Glenn Williams
Sound Re-Recording Mixer:
Tom Fleischman
Stunt Coordinator:
Rick LeFevour
Stunts:
Eddie J. Fernandez Jr.
Stacy Logan
Rich Wilkie
Supervising Sound Editor:
Skip Lievsay
Title Designer:
Dan Perri
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.