A work in constant progress (and occasional regress).
Release Date:
July 21, 2023
Original Title:
The Barber of Little Rock
Genres:
Documentary
Production Companies:
59th & Prairie Entertainment
Better World Projects
Peralta Pictures
Story Syndicate
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 35
Explores the racial wealth gap in America through the story of People Trust, a homegrown community bank in Little Rock, Arkansas, working to uplift a community that has been largely excluded from the financial engines that create wealth.
Additional Music:
Andrew Saunderson
Additional Photography:
Andy Sarjahani
Assistant Camera:
Emily Herold
Craig Wynn
Kyle Cunningham
Assistant Editor:
Steve Gieseke
Carl L. Marxer
Amanda Katz
Lauren Long
Associate Editor:
Derek Morley
Associate Producer:
Christopher Hwisu Kim
Devon Blackwell
Taren Robinson
Colorist:
Blerti Murataj
Consulting Producer:
Alexandra Moss
Dialogue Editor:
Alexandre Vaz
Digital Intermediate Producer:
Jeffrey Burgess Reed
Director:
John Hoffman
Christine Turner
Director of Photography:
Tony Hardmon
Drone Operator:
Anthony Justice
Editor:
Andrew Saunderson
Virginie Danglades
Executive Producer:
Dwyane Wade
Ian Cohen
Andrew Nikou
Jon Bardin
Jon Marcus
Paul Moakley
Liz Garbus
Dan Cogan
Megan Matthews
Gaffer:
Christian Hawkins
Key Grip:
Matthew Martin
Will Scott
Line Producer:
Dena Greenbaum
Online Editor:
Zamir Liço
Original Music Composer:
Jongnic Bontemps
Post Production Supervisor:
Gautam Singhani
Honor Maxfield
Producer:
Christina Avalos
Christine Turner
John Hoffman
Production Coordinator:
Lanishia Washington
Researcher:
Zach Tomasovic
Sound Effects Editor:
Danilo Chen
Fernando Lobo
Sound Post Production Coordinator:
Ana Carolina Souza
Sound Post Supervisor:
Mário Di Poi
Sound Re-Recording Mixer:
Stanley Gilman
Sound Recordist:
Mary Roy
Amy Sandefur
Craig Rhee
Craig Sandefur
Sound Supervisor:
Eber Pinheiro
Rafael Benvenuti
Supervising Producer:
Melissa Fajardo
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.