A work in constant progress (and occasional regress).
Release Date:
January 1, 2007
Original Title:
The Supercar Story
Alternate Titles:
L'histoire des supercars
Genres:
Documentary
Production Companies:
Mark Stewart Productions Ltd
Production Countries:
United States of America
Ratings / Certifications:
US: G
Runtime: 26
Over the years, what has driven manufacturers like Mercedes to build "supercars," automobiles whose performance far exceeds any reasonable road-going requirements? Automotive expert Simon Kidston takes you behind the wheel of six of the most distinctive supercars in the world and examines what makes these automotive wonders so exceptional...and so expensive. These cars are definite eye-catchers: the Mercedes Benz 300SL, Lamborghini Miura, Lamborghini Countach, Ferrari F40, and the McLaren F1. Take an exclusive look around the high-tech Bugatti factory and their gorgeous $1.5 million Bugatti Veyron
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.