A work in constant progress (and occasional regress).
Release Date:
March 16, 2024
Original Title:
Dein perfektes Jahr
Genres:
Comedy | Romance | TV Movie
Production Companies:
Bavaria Fiction
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 89
Kindergarten teacher Hannah lovingly creates a calendar of activities for the coming year to get her relationship with her boyfriend Simon back on track. Through a mishap, however, the calendar falls into the hands of misanthropic Jonathan, a wealthy publishing heir who sets out to find the author with growing curiosity. Miraculously, the paths of the two cross from then on, for the time being without knowing of their connection through the calendar.
Additional Lighting Technician:
Raphael Kamp
Assistant Production Design:
Susanne Franzke
Assistant Production Manager:
Anna Markovski
Assistant Unit Manager:
Felicitas Albers
Boom Operator:
Jooris Nitt
Commissioning Editor:
Katharina Görtz
Costume Designer:
Anette Schröder
Costumer:
Floriana Bonera
Jella Velia Wilke
Director:
Luise Brinkmann
Director of Photography:
Philip Jestädt
First Assistant Camera:
Philipp Schöttner
First Assistant Director:
Bernd Reinink
Gaffer:
Christopher Sälzer
Key Grip:
Christopher Saß
Lighting Technician:
Fabian Hasse
Anna Lena Grießer
Sophie Gausepohl
Makeup Artist:
Ruth Ute Wagner
Yvonne Franz
Novel:
Wiebke Lorenz
Producer:
Doris Zander
Production Design:
Andrea Steinlandt
Production Driver:
Anika Godow
Production Trainee:
Hannah Liebrenz
Property Master:
Ruben Kut
Second Assistant Camera:
Lino Kalkhoff
Tim Behrsing
Set Runner:
Greta Marie Trentmann
Standby Property Master:
Christine Marzinzik
Still Photographer:
Georges Pauly
Unit Manager:
Kathrin Schultz
Mihael 'Miki' Matijasevic
Alina Müller
Writer:
Bert Koß
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.