U.S. Marshals (1998) [PG-13]

Release Date:
March 6, 1998

Original Title:
U.S. Marshals

Alternate Titles:
Američki šerifi
Des Hommes de loi
Eletre-halalra
Los federales
Matzod
Takaa-ajajat
The Fugitive 2: U.S. Marshals
The Fugitive Part II
Tsuisekisha
U.S. Marshals - serifi federali
Zvezni serifi
Čuvari zakona
Американські маршали
Маршали
Щатски шерифи

Genres:
Action | Crime | Thriller

Production Companies:
Kopelson Entertainment
Warner Bros. Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: 14  CH: 16  CZ: 12+  DE: 12  ES: 12  FR: U  GB: 15  HU: 16  IE: 15  NL: 16  RU: 16+  SE: 15  US: PG-13 

Runtime: 131

The cop who won't stop is back. But this time he's chasing down a lot more than a fugitive.

U.S. Marshal Sam Gerard is accompanying a plane load of convicts from Chicago to New York. The plane crashes spectacularly, and Mark Sheridan escapes. But when Diplomatic Security Agent John Royce is assigned to help Gerard recapture Sheridan, it becomes clear that Sheridan is more than just another murderer.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

ADR Editor:
Marshall Winn
William C. Carruth
Linda Folk

ADR Mixer:
Troy Porter

Additional Camera:
Steve Adcock

Additional Second Assistant Camera:
Jennifer Desplinter

Additional Second Assistant Director:
Eric A. Pot

Aerial Coordinator:
Craig Hosking

Aerial Director of Photography:
Kurt E. Soderling

Art Direction:
Bruce Alan Miller
Mark Worthington

Assistant Accountant:
Caryn Cheever

Assistant Art Director:
David W. Krummel

Assistant Chief Lighting Technician:
Richard Hartley

Assistant Director:
Vincent Lascoumes

Assistant Editor:
Laura Krumholz

Assistant Location Manager:
Anne Healy

Assistant Production Coordinator:
Steve Cainas

Assistant Property Master:
Joe Bristol

Associate Producer:
Glenn Cote
Linda Warren

Best Boy Electric:
Chris Freres

Best Boy Grip:
Tom Kerwick

Boom Operator:
Dale R. Janus

Camera Loader:
Steven Silverstein

Camera Operator:
Michael Scott
George Kohut

Camera Technician:
Steven J. Winslow

Casting:
Amanda Mackey
Cathy Sandrich Gelfond
Jane Alderman

Casting Associate:
Catherine Head
Mercedes Kelso
Elizabeth Lang

Characters:
Roy Huggins

Co-Executive Producer:
Wolfgang Glattes

Co-Producer:
Stephen Joel Brown

Color Timer:
Bob Putynkowski

Colorist:
Jonathan Malden

Concept Artist:
Bill Bartelt

Conductor:
Jerry Goldsmith

Construction Coordinator:
John F. McHugh

Costume Design:
Louise Frogley

Costume Supervisor:
Mitchell Ray Kenney
Joe McCloskey

Costumer:
Craig Anthony

Craft Service:
Ken Cabrera

Dialogue Editor:
Virginia Cook-McGowan
Kimberly Lowe Voigt
Robert Troy

Digital Compositors:
Olivier Sarda

Digital Effects Supervisor:
David Sosalla

Director:
Stuart Baird

Director of Photography:
Andrzej Bartkowiak

Dolly Grip:
John Hudecek

Editor:
Terry Rawlings

Electrician:
Michael J. Maurer

Executive Assistant:
Maria Norman

Executive Producer:
Keith Barish
Roy Huggins

Extras Casting:
Riccardo Bertoni

Extras Casting Assistant:
Cody Lassen

First Assistant Camera:
Peter Mercurio

First Assistant Editor:
Tim Grover

First Assistant Sound Editor:
Brooke Henderson Ward

Foley:
Joan Rowe
Kevin Bartnof

Foley Artist:
Kevin Bartnof

Gaffer:
Mark N. Woods

Grip:
Ray Conchado

Hairstylist:
Cydney Cornell

Key Costumer:
Gretchen Gain

Key Grip:
Morgan Michael Lewis

Key Production Assistant:
Eric Yellin

Location Manager:
Betsy Bottando

Location Scout:
P.J. Abrahams

Machinist:
Mark Sheafer

Makeup Artist:
June Westmore
Monty Westmore
Cyndi Reece-Thorne
Allan A. Apone

Music Editor:
Kenneth Hall

Music Programmer:
Nick Vidar

Negative Cutter:
Mo Henry

Orchestrator:
Alexander Courage

Original Music Composer:
Jerry Goldsmith

Painter:
Anthony Joseph Fatigato

Post Production Supervisor:
Russ Kavanaugh

Producer:
Arnold Kopelson
Anne Kopelson

Production Accountant:
Cheryl A. Stone

Production Assistant:
Yashar Hedayat

Production Design:
Maher Ahmad

Production Executive:
Matthew Gross

Production Illustrator:
Sherman Labby

Production Secretary:
Tom Dames

Production Supervisor:
Lori Bridwell

Property Master:
Tracy Farrington

Researcher:
Dana Burdi

Rigging Gaffer:
Terry Dee

Rigging Grip:
Bob Gomez

Screenplay:
John Pogue

Script Supervisor:
Dru Anne Carlson

Second Assistant Camera:
Gregg Gannett

Second Assistant Director:
Phil Dupont

Second Assistant Sound:
Tim Tuchrello

Second Second Assistant Director:
Aiman A. Humaideh

Second Unit Director:
Gary Davis

Second Unit Director of Photography:
Allen Baker

Sequence Supervisor:
Tad Kranowski

Set Decoration:
Gene Serdena

Set Designer:
Richard Fernandez

Set Dressing Artist:
Jon Nicholson

Set Production Assistant:
Bill Vergos

Sound Effects Editor:
Gordon Ecker
Glenn Hoskinson
Steve Mann
Donald L. Warner Jr.
Bernard Weiser
Anthony Milch

Sound Mixer:
Scott D. Smith

Special Effects Coordinator:
Michael Meinardus

Special Effects Technician:
Dave T. MacDonald

Stand In:
Andy-John

Steadicam Operator:
J. Michael Muro
Gregory Lundsgaard

Still Photographer:
Michael P. Weinstein

Stunt Coordinator:
Gary Davis
Dick Ziker

Stunt Double:
Clay Donahue Fontenot

Stunts:
Mickey Alzola
Linda Perlin
Stacy Logan
Jennifer Elizabeth
Jennifer Davis
Jeff Imada
Gene LeBell
Henry Kingi
Keith Woulard
Eric Chambers
Al Goto
Hugh Aodh O'Brien

Supervising ADR Editor:
James Simcik

Supervising Sound Editor:
John Leveque

Technical Advisor:
Michael Cadman

Technical Supervisor:
Patrick Phillips

Transportation Coordinator:
George DiLeonardi

Unit Production Manager:
Alma Kuttruff

Unit Publicist:
Ernie Malik

Utility Stunts:
Spitfire Brown

Visual Effects Camera:
Kurt E. Soderling

Visual Effects Editor:
Tim Grover

Visual Effects Production Assistant:
Amiee Clark

Visual Effects Supervisor:
Peter Donen

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.