A work in constant progress (and occasional regress).
Release Date:
March 6, 1998
Original Title:
U.S. Marshals
Alternate Titles:
Američki šerifi
Des Hommes de loi
Eletre-halalra
Los federales
Matzod
Takaa-ajajat
The Fugitive 2: U.S. Marshals
The Fugitive Part II
Tsuisekisha
U.S. Marshals - serifi federali
Zvezni serifi
Čuvari zakona
Американські маршали
Маршали
Щатски шерифи
Genres:
Action | Crime | Thriller
Production Companies:
Kopelson Entertainment
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CH: 16 CZ: 12+ DE: 12 ES: 12 FR: U GB: 15 HU: 16 IE: 15 NL: 16 RU: 16+ SE: 15 US: PG-13
Runtime: 131
U.S. Marshal Sam Gerard is accompanying a plane load of convicts from Chicago to New York. The plane crashes spectacularly, and Mark Sheridan escapes. But when Diplomatic Security Agent John Royce is assigned to help Gerard recapture Sheridan, it becomes clear that Sheridan is more than just another murderer.
ADR Editor:
Marshall Winn
William C. Carruth
Linda Folk
ADR Mixer:
Troy Porter
Additional Camera:
Steve Adcock
Additional Second Assistant Camera:
Jennifer Desplinter
Additional Second Assistant Director:
Eric A. Pot
Aerial Coordinator:
Craig Hosking
Aerial Director of Photography:
Kurt E. Soderling
Art Direction:
Bruce Alan Miller
Mark Worthington
Assistant Accountant:
Caryn Cheever
Assistant Art Director:
David W. Krummel
Assistant Chief Lighting Technician:
Richard Hartley
Assistant Director:
Vincent Lascoumes
Assistant Editor:
Laura Krumholz
Assistant Location Manager:
Anne Healy
Assistant Production Coordinator:
Steve Cainas
Assistant Property Master:
Joe Bristol
Associate Producer:
Glenn Cote
Linda Warren
Best Boy Electric:
Chris Freres
Best Boy Grip:
Tom Kerwick
Boom Operator:
Dale R. Janus
Camera Loader:
Steven Silverstein
Camera Operator:
Michael Scott
George Kohut
Camera Technician:
Steven J. Winslow
Casting:
Amanda Mackey
Cathy Sandrich Gelfond
Jane Alderman
Casting Associate:
Catherine Head
Mercedes Kelso
Elizabeth Lang
Characters:
Roy Huggins
Co-Executive Producer:
Wolfgang Glattes
Co-Producer:
Stephen Joel Brown
Color Timer:
Bob Putynkowski
Colorist:
Jonathan Malden
Concept Artist:
Bill Bartelt
Conductor:
Jerry Goldsmith
Construction Coordinator:
John F. McHugh
Costume Design:
Louise Frogley
Costume Supervisor:
Mitchell Ray Kenney
Joe McCloskey
Costumer:
Craig Anthony
Craft Service:
Ken Cabrera
Dialogue Editor:
Virginia Cook-McGowan
Kimberly Lowe Voigt
Robert Troy
Digital Compositors:
Olivier Sarda
Digital Effects Supervisor:
David Sosalla
Director:
Stuart Baird
Director of Photography:
Andrzej Bartkowiak
Dolly Grip:
John Hudecek
Editor:
Terry Rawlings
Electrician:
Michael J. Maurer
Executive Assistant:
Maria Norman
Executive Producer:
Keith Barish
Roy Huggins
Extras Casting:
Riccardo Bertoni
Extras Casting Assistant:
Cody Lassen
First Assistant Camera:
Peter Mercurio
First Assistant Editor:
Tim Grover
First Assistant Sound Editor:
Brooke Henderson Ward
Foley:
Joan Rowe
Kevin Bartnof
Foley Artist:
Kevin Bartnof
Gaffer:
Mark N. Woods
Grip:
Ray Conchado
Hairstylist:
Cydney Cornell
Key Costumer:
Gretchen Gain
Key Grip:
Morgan Michael Lewis
Key Production Assistant:
Eric Yellin
Location Manager:
Betsy Bottando
Location Scout:
P.J. Abrahams
Machinist:
Mark Sheafer
Makeup Artist:
June Westmore
Monty Westmore
Cyndi Reece-Thorne
Allan A. Apone
Music Editor:
Kenneth Hall
Music Programmer:
Nick Vidar
Negative Cutter:
Mo Henry
Orchestrator:
Alexander Courage
Original Music Composer:
Jerry Goldsmith
Painter:
Anthony Joseph Fatigato
Post Production Supervisor:
Russ Kavanaugh
Producer:
Arnold Kopelson
Anne Kopelson
Production Accountant:
Cheryl A. Stone
Production Assistant:
Yashar Hedayat
Production Design:
Maher Ahmad
Production Executive:
Matthew Gross
Production Illustrator:
Sherman Labby
Production Secretary:
Tom Dames
Production Supervisor:
Lori Bridwell
Property Master:
Tracy Farrington
Researcher:
Dana Burdi
Rigging Gaffer:
Terry Dee
Rigging Grip:
Bob Gomez
Screenplay:
John Pogue
Script Supervisor:
Dru Anne Carlson
Second Assistant Camera:
Gregg Gannett
Second Assistant Director:
Phil Dupont
Second Assistant Sound:
Tim Tuchrello
Second Second Assistant Director:
Aiman A. Humaideh
Second Unit Director:
Gary Davis
Second Unit Director of Photography:
Allen Baker
Sequence Supervisor:
Tad Kranowski
Set Decoration:
Gene Serdena
Set Designer:
Richard Fernandez
Set Dressing Artist:
Jon Nicholson
Set Production Assistant:
Bill Vergos
Sound Effects Editor:
Gordon Ecker
Glenn Hoskinson
Steve Mann
Donald L. Warner Jr.
Bernard Weiser
Anthony Milch
Sound Mixer:
Scott D. Smith
Special Effects Coordinator:
Michael Meinardus
Special Effects Technician:
Dave T. MacDonald
Stand In:
Andy-John
Steadicam Operator:
J. Michael Muro
Gregory Lundsgaard
Still Photographer:
Michael P. Weinstein
Stunt Coordinator:
Gary Davis
Dick Ziker
Stunt Double:
Clay Donahue Fontenot
Stunts:
Mickey Alzola
Linda Perlin
Stacy Logan
Jennifer Elizabeth
Jennifer Davis
Jeff Imada
Gene LeBell
Henry Kingi
Keith Woulard
Eric Chambers
Al Goto
Hugh Aodh O'Brien
Supervising ADR Editor:
James Simcik
Supervising Sound Editor:
John Leveque
Technical Advisor:
Michael Cadman
Technical Supervisor:
Patrick Phillips
Transportation Coordinator:
George DiLeonardi
Unit Production Manager:
Alma Kuttruff
Unit Publicist:
Ernie Malik
Utility Stunts:
Spitfire Brown
Visual Effects Camera:
Kurt E. Soderling
Visual Effects Editor:
Tim Grover
Visual Effects Production Assistant:
Amiee Clark
Visual Effects Supervisor:
Peter Donen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.