White Noise (2005) [PG-13]

Release Date:
January 7, 2005

Original Title:
White Noise

Alternate Titles:
Baltais Troksnis
Beli šum
Vozes do Além

Genres:
Drama | Horror | Thriller

Production Companies:
Brightlight Pictures
Chum Television
Corus Entertainment
Endgame Entertainment
Gold Circle Films
Senator International
The Movie Network
Universal Pictures
White Noise UK Ltd.

Production Countries:
Canada | United Kingdom | United States of America

Ratings / Certifications:
AR: 13  AU: M  BR: 14  CA: 14A  CL: 14  CZ: 15  DE: 16  ES: 18  FR: 16  GB: 15  HK: IIA   HU: 16  IE: 15  IS: 16  IT: T  KR: 15  NL: 12  PL: 12  PT: M/16  RU: 12+  SE: 15  SG: PG  US: PG-13 

Runtime: 101

The line separating the living from the dead has been crossed.

An architect's desire to speak with his wife from beyond the grave using EVP (Electronic Voice Phenomenon), becomes an obsession with supernatural repercussions.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

2D Artist:
Gavain Browne

3D Artist:
George Barbour

ADR Editor:
Michele Woods

ADR Mixer:
Adam Sharpe

ADR Recordist:
Dan Green

ADR Supervisor:
Deni King

ADR Voice Casting:
Abigail Barbier

Art Direction:
Gregory G. Venturi

Assistant Accountant:
Alan Homma

Assistant Chef:
Luz Gabriela Rosas Rojas

Assistant Costume Designer:
Linda Leduc

Assistant Location Manager:
Shane Lennox

Assistant Makeup Artist:
Emanuela Daus

Associate Producer:
Jonathan Shore

Attorney:
Adam R. Mehr

Best Boy Electric:
Dave Klassen

Best Boy Grip:
Lionel Hebert

Boom Operator:
Mark Noda

CGI Supervisor:
Graham Cristie

Camera Trainee:
Jesse Sannerud

Camera Truck:
Clif Kosterman

Carpenter:
Richard Barrett

Cast Driver:
Ross Kulak

Casting:
Maureen Webb

Chef:
Erika Espinosa

Colorist:
Sarah Carefoot

Compositing Supervisor:
Valeri Pfahning

Construction Coordinator:
Dave Conway

Construction Foreman:
Richard Dobbin

Costume Design:
Karen L. Matthews

Costume Supervisor:
Shelly Shaw

Costumer:
Michelle Lambert

Craft Service:
Jamie Humphrey

Dialogue Editor:
Stewart Henderson

Digital Intermediate Colorist:
Jet Omoshebi

Director:
Geoffrey Sax

Director of Photography:
Chris Seager

Dolby Consultant:
Mark Kenna

Dolly Grip:
Dave Dibdin

Driver:
Reg Advocaot

Editor:
Nick Arthurs

Executive Producer:
Simon Brooks
Stephen Hegyes
Scott Niemeyer
Norm Waitt

Executive in Charge of Finance:
Chris Doss

First Assistant Camera:
Dave Roman

First Assistant Director:
Richard Coleman

First Assistant Editor:
Lalit Goyal

First Assistant Makeup Artist:
Deborah Slonowski

Foley Artist:
Melissa Lake

Foley Editor:
Owen Bleasdale

Foley Mixer:
Gianluca Buttari

Gaffer:
John Dekker

Graphic Designer:
Doris Deutschmann

Greensman:
Frank Haddad

Grip:
Rick Jermakowicz

Hairstylist:
Mary L. Mastro

Key Grip:
Michael Taschereau

Key Hair Stylist:
Adina Shore

Key Production Assistant:
Raimey Casiro

Key Rigging Grip:
Johnny Walker

Location Manager:
Greg Jackson

Location Production Assistant:
Randy Kennedy

Location Scout:
Kimberly Lozinski

Makeup Artist:
Gene McCormick

Music Coordinator:
Brian Leff

Music Editor:
Lee Kerr

Music Supervisor:
Randy Gerston

Negative Cutter:
Chris Andrews

On Set Dresser:
Andy Koessler

Original Music Composer:
Claude Foisy

Paint Coordinator:
Robin Thomas

Playback Coordinator:
Brian Knox McGugan

Post Production Coordinator:
Nicola Instone

Post Production Supervisor:
Lisa Sweet

Producer:
Paul Brooks
Shawn Williamson

Production Accountant:
Anne Jacobsen

Production Assistant:
John MacCulloch

Production Coordinator:
Michele O'Flanagan

Production Design:
Michael S. Bolton

Production Executive:
Alan Martin

Production Manager:
Pascal Verschooris

Property Master:
Kimberley Regent

Rigging Gaffer:
Rod Newby

Rigging Grip:
Robert Little

Scenic Artist:
Judi Varga

Screenplay:
Niall Johnson

Script Coordinator:
Natalie Allan

Script Supervisor:
Jessica Clothier

Sculptor:
Iesza Jessica Jordan

Second Assistant Camera:
Scott Cozens

Second Assistant Director:
Glenn Bottomley

Security:
Susan Kearney

Security Coordinator:
Loralee Wilson

Set Costumer:
Elaine Arsens

Set Decoration:
Penny A. Chalmers

Set Dressing Artist:
Tony Beck

Set Supervisor:
Shelly Shaw

Sound Designer:
Hugh Johnson

Sound Editor:
Miha Jaramaz

Sound Effects Editor:
Mike Grimes
Ben Meechan

Sound Mixer:
William Skinner

Special Effects Assistant:
Ron Kozier

Special Effects Best Boy:
Don Leask

Special Effects Coordinator:
Tim Storvick

Stand In:
Rob Court

Steadicam Operator:
Marty McInally

Still Photographer:
Chris Helcermanas-Benge

Storyboard Artist:
David Allcock

Stunt Coordinator:
Randy Lee

Stunt Double:
Carolyn Anderson

Stunt Driver:
Ed Anders

Supervising Dialogue Editor:
Hilary Wyatt

Supervising Sound Editor:
Bernard O'Reilly

Telecine Colorist:
Jill Allanson

Third Assistant Director:
Karin Behrenz

Transportation Captain:
Dean Capstick

Transportation Co-Captain:
Donald James Davey

Transportation Coordinator:
David R. Anderson

Video Assist Operator:
Barry Kaiser

Visual Effects Coordinator:
Sarah Cloutier

Visual Effects Editor:
Simon Allmark

Visual Effects Producer:
Sharon Lark

Visual Effects Supervisor:
Simon Giles

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.