A work in constant progress (and occasional regress).
Release Date:
May 3, 2001
Original Title:
AmnesiA
Genres:
Thriller
Production Companies:
A-Film Home Entertainment
Motel Films
Sensesound
Shadowmaker
VPRO
Production Countries:
Netherlands
Ratings / Certifications:
N/A
Runtime: 90
Alex, a 28 year-old photographer, is no longer able to photograph people, for some mysterious reason. Every time he focuses his camera on someone, the same woman appears in his viewfinder - an image he cannot bear. When his brother Aram, whom he has not seen or spoke to for years, unexpectedly phones him and asks him to come to their parental home because their mother is severely ill and may not have long to live, he panics. The thought of a confrontation with the area where he grew up and the renewed encounter with his family makes him feel nervous. Nevertheless, that evening he leaves for AmnesiA: the estate of his parents, the spot where he spent his youth.
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Art Department Assistant:
Eric Peters
Assistant Director:
Jack Valkering
Sjors op den Kelder
Camera Technician:
Jan Vrints
Casting:
Job Gosschalk
Saida van der Reijd
Color Timer:
Petro van Leeuwen
Commissioning Editor:
Joost de Wolf
Costume Design:
Maartje Wevers
Digital Effects Supervisor:
Sander de Regt
Director:
Martin Koolhoven
Director of Photography:
Menno Westendorp
Editor:
Job ter Burg
Electrician:
Japer Wolf
Willem L. Bos
Tjeerd Oosterhuis
Marc Redmeijer
Foley:
Bianca Steenhagen
Gaffer:
Frank Berger
Grip:
Kurt Reybrouck
Yves Van de Vyver
Line Producer:
Judy Maat
Loader:
Bianca van Riesdijk
Location Scout:
Bas van der Ree
Makeup Artist:
Anna Sokotowska
Marleen Holthuis
Music:
Fons Merkies
Producer:
Jeroen van Beek
Frans van Gestel
Production Design:
Floris Vos
Production Manager:
Sophie Challa
Rob Nillezen
Set Decoration:
Lou Huijs
Set Dressing Artist:
Elmer Jacobs
Sound Designer:
Herman Pieëte
Sound Recordist:
Eddy de Cloe
Ferry de Pater
Steadicam Operator:
Jan Rubens
Still Photographer:
René de Haan
Writer:
Martin Koolhoven
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.