A work in constant progress (and occasional regress).
Release Date:
March 13, 1980
Original Title:
Caboblanco
Alternate Titles:
Cabo Blanco
Caboblanco
Der Schatz von Caboblanco
Genres:
Adventure | Drama | Romance
Production Companies:
Arco Films
Cabo Blanco Production Inc.
MVS Televisión
Production Countries:
Mexico | United States of America
Ratings / Certifications:
DE: 12
Runtime: 87
Giff Hoyt, a cafe owner in Cabo Blanco, Peru after World War II is caught between refuge-seeking Nazis and their enemies. After the murder of a sea explorer is passed off as accidental death by the corrupt local police, Giff becomes suspicious. The police chief also intimidates a new arrival Marie, and Giff intervenes to help her. Giff suspects Beckdorff, a Nazi refugee living in the area. Beckdorff, it emerges, is seeking to uncover sunken treasure.
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Art Direction:
José Rodríguez Granada
Assistant Set Dresser:
Ricardo Arana
Jorge Morales
Assistant Unit Manager:
Aurelio Ortiz
Federico Serrano
Associate Producer:
Conrad Hool
Boom Operator:
Jorge Gómez
Cableman:
Efren Flores
Costume Design:
Travilla
Director:
J. Lee Thompson
Director of Photography:
Álex Phillips Jr.
Editor:
Michael F. Anderson
Executive Producer:
Martin V. Smith
First Assistant Director:
Jesús Marín
Hairstylist:
Christine George
Makeup Artist:
Joe DiBella
Original Music Composer:
Jerry Goldsmith
Producer:
Lance Hool
Paul Joseph
Production Manager:
Joseph C. Cavalier
Francisco Day
Property Master:
Antonio Mata
Screenplay:
Morton S. Fine
Milton S. Gelman
Screenstory:
Milton S. Gelman
James Granby Hunter
Second Assistant Director:
Terence D. Buchinsky
Set Decoration:
Jaime Pérez Cubero
Set Dresser:
Jorge De La Borbolla
Sound Editor:
Howard Neiman
Jack K. Tillar
Sound Mixer:
Gregg Landaker
Manuel Topete
Sound Recordist:
Robert J. Litt
Special Effects:
Laurencio Cordero
Jesus G. Duran
Story:
Víctor Andrés Catena
Jaime Comas Gil
Unit Production Manager:
Alfonso Sánchez Tello
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.