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The Untouchables (1987) [R]

Release Date:
June 3, 1987

Original Title:
The Untouchables

Alternate Titles:
De omutbara
Gli intoccabili
Lahjomattomat
Los Intocables
Nedodirljivi
Nedotakljivi
Nepodplatitel'ní
Nesalomivi
Nietykalni
The Untouchables – Die Unbestechlichen
Äraostmatud
Неприкасаeмыe
เจ้าพ่ออัลคาโปน
不可触犯
義膽雄心

Genres:
Crime | History | Thriller

Production Companies:
Paramount Pictures
The Linson Company

Production Countries:
United States of America

Ratings / Certifications:
AT: 16  AU: M  BR: 14  CH: 16  DE: 16  ES: 18  FR: U|18  GB: 15  HU: 18  IE: 15  IT: T  KR: 18  NL: 16  NO: 15  PL: 18  PT: M/16  US: R 

Runtime: 119

What are you prepared to do?

Overview from TheMovieDB

Young Treasury Agent Eliot Ness arrives in Chicago and is determined to take down Al Capone, but it's not going to be easy because Capone has the police in his pocket. Ness meets Jim Malone, a veteran patrolman and probably the most honorable one on the force. He asks Malone to help him get Capone, but Malone warns him that if he goes after Capone, he is going to war.

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Performers

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Production

ADR Editor:
Harriet Fidlow

ADR Recordist:
Mel Zelniker

Apprentice Sound Editor:
Faith Jones

Art Direction:
William A. Elliott

Assistant Accountant:
Susan J. Bonno-Buckner

Assistant Chief Lighting Technician:
Mort Hyatt

Assistant Director:
Glen Trotiner

Assistant Editor:
Deborah Peretz

Assistant Location Manager:
Maureen Cunningham

Assistant Production Coordinator:
Michele Imperato Stabile

Assistant Property Master:
John Sweeney

Assistant Sound Editor:
Michael Berenbaum

Associate Editor:
Ray Hubley

Associate Producer:
Raymond Hartwick

Book:
Eliot Ness
Oscar Fraley

Boom Operator:
Dale R. Janus

Cableman:
Glenn Williams

Camera Operator:
Douglas Ryan

Casting:
Mali Finn

Chief Lighting Technician:
Tim Griffith

Color Timer:
Richard Ritchie

Conductor:
Ennio Morricone

Costume Design:
Marilyn Vance

Costume Supervisor:
Winnie D. Brown

Craft Service:
Matthew Benjamin

Director:
Brian De Palma

Director of Photography:
Stephen H. Burum

Dolby Consultant:
Michael DiCosimo

Dolly Grip:
George R. Schrader

Driver:
Clay Bartholomew

Editor:
Gerald B. Greenberg
Bill Pankow

Editorial Services:
Ray Hubley

First Assistant Camera:
Alex Touyarot

First Assistant Director:
Joe Napolitano

First Assistant Editor:
Tara Timpone

First Company Grip:
Frank Keever

Foley Supervisor:
Elisha Birnbaum

Grip:
Kelly R. Borisy

Hairstylist:
Bette Iverson

Leadman:
Robert W. Dutton

Location Assistant:
Gregory A. Jackson

Location Manager:
Eric Schwab

Makeup Artist:
Michael Hancock

Music Editor:
Thomas S. Drescher

Music Supervisor:
Emile Charlap

Musician:
John Moses

Original Music Composer:
Ennio Morricone

Producer:
Art Linson

Production Assistant:
Cyd Adams

Production Coordinator:
Shari Leibowitz

Property Master:
Sam Moore

Research Assistant:
Eve Cauley

Rigging Gaffer:
Tim Phelps

Script Supervisor:
Sioux Richards

Second Assistant Camera:
Richard Clarkson

Second Assistant Director:
James W. Skotchdopole

Second Company Grip:
Bob Munoz

Second Second Assistant Director:
Richard Patrick

Set Decoration:
Hal Gausman

Set Designer:
E.C. Chen

Set Dressing Artist:
Dick Hansen

Sound Editor:
Jack Fitzstephens

Sound Mixer:
James M. Tanenbaum

Sound Re-Recording Mixer:
Dick Vorisek

Sound Recordist:
Bob Olari

Special Effects Coordinator:
Allen Hall

Special Effects Technician:
Marvin Gardner

Steadicam Operator:
Gregory Lundsgaard

Still Photographer:
Zade Rosenthal

Stunt Coordinator:
Gary Hymes

Stunts:
Matt Johnston
Gary Epper
Tim A. Davison
Gilbert B. Combs

Supervising Sound Editor:
Dan Sable

Technical Advisor:
Douglas Kraner

Transportation Captain:
George DiLeonardi

Transportation Co-Captain:
Robert A. Hogan

Transportation Coordinator:
Hayden D. Anglin

Unit Production Manager:
Raymond Hartwick

Unit Publicist:
Anne Marie Stein

Weapons Master:
Sherwin Tarnoff

Writer:
David Mamet

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.