A work in constant progress (and occasional regress).
Release Date:
September 10, 1991
Original Title:
Clearcut
Genres:
Drama | Horror | Thriller | Western
Production Companies:
Cinexus Capital Corporation
Production Countries:
Canada
Ratings / Certifications:
CA: 14A US: R
Runtime: 98
A white lawyer finds his values shaken when he is paired with an angry Indigenous activist who insists on kidnapping the head of a logging company to teach him the price of his destruction.
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ADR Editor:
Dale Sheldrake
Additional First Assistant Camera:
Brad Creassar
Art Direction:
Ken Watkins
Assistant Camera:
Michael Carella
Michael Sinyi
Assistant Foley Artist:
James A. Gore
Assistant Location Manager:
Joyce Fundytus
Assistant Makeup Artist:
Eva Coudouloux
Assistant Production Coordinator:
Chris Comrie
Assistant Property Master:
Shirley Gulliford
Assistant Set Decoration:
Carolyn A. Loucks
Associate Producer:
Shelley Gillen
Best Boy Electric:
Craig Wright
Best Boy Grip:
Ron Forward
Boom Operator:
Matthew Stark
Camera Operator:
Jon Cassar
Camera Trainee:
Russel Bowie
Carrie Laurin
Carpenter:
David Valyear
Andrew Palmer
Dwayne Jeffries
Casting Assistant:
Tina Gerussi
Casting Director:
Deirdre Bowen
Color Timer:
Chris Hinton
Construction Coordinator:
Ed Doerksen
Consulting Editor:
Ronald Sanders
Costume Design:
Kathy Vieira
Dialogue Editor:
Fred Brennan
Director:
Ryszard Bugajski
Director of Photography:
François Protat
Editor:
Michael Rea
Executive Producer:
Stephen Alix
Stephen J. Roth
First Assistant Camera:
Tony Guerin
First Assistant Director:
William Spahic
First Assistant Editor:
Patricia Lambkin
Foley Artist:
Andy Malcolm
Gaffer:
Richard Allen
Grip:
Fred Armstrong
Hairdresser:
Sandra Caputi
Head Carpenter:
Tom de Grey
Key Grip:
Michael O'Connor
Key Makeup Artist:
Marie-Angèle Protat
Location Manager:
Fred Kamping
Novel:
M.T. Kelly
Orchestrator:
Donald Quan
Original Music Composer:
Shane Harvey
Painter:
Kim Hamin
Producer:
Ian McDougall
Stephen J. Roth
Production Coordinator:
Melody Comrie
Production Design:
Perri Gorrara
Property Master:
Ane Christensen
Scenic Artist:
Ricardo Spinacé
Screenplay:
Robert Forsyth
Script Editor:
Shelley Gillen
Script Supervisor:
Barbara Gordon
Second Assistant Director:
Karen Lee Hall
Second Unit Cinematographer:
Henri Fiks
Christopher Raucamp
Second Unit Director:
Ian McDougall
Set Decoration:
Gareth Wilson
Set Dresser:
Botch Bannon
Coco Pie Brizard
Norman Sponhcia
Thierry Bannon
Sound Mixer:
Clark McCarron
Sound Re-Recording Mixer:
Dino Pigat
Al Ormerod
Special Effects:
Ted Ross
Steadicam Operator:
Jon Cassar
Stunt Coordinator:
Branko Racki
Stunts:
Shelley Cook
Marco Bianco
Rick Forsayeth
John Stoneham Jr.
Third Assistant Director:
Ron Oxley
Transportation Captain:
Frank Mizzi
Transportation Coordinator:
Matthew Wolchock
Underwater Camera:
Pauline Heaton
Craig Ibbotson
Wardrobe Assistant:
Linda Leduc
Jane Fieber
Wig Designer:
Ivan Lynch
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.