A work in constant progress (and occasional regress).
Release Date:
March 1, 2018
Original Title:
1002
Genres:
Action | Comedy
Production Companies:
Cine Argentino
ENERC
INCAA
Production Countries:
Argentina
Ratings / Certifications:
AR: ATP
Runtime: 13
Seeking to avoid the terrible economic crisis of 2001, a young man travels to 1990 to stop the Minister of Economy. But he will have to deal with his bodyguard, who will have to choose between his own interests and the fate of the entire country.
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Art Direction:
Inés Zysman
Assistant Camera:
Ana Pierro
Assistant Director:
Mariano Álvarez
Boom Operator:
María Laura Ortiz
Lucero Blaustein
Camera Operator:
Mariano Maximovicz
Choreographer:
Fabricio Martín
Continuity:
Fernando Caruso
Costume Assistant:
Lucila Manara
Catalina Sikorski
Data Management Technician:
Sebastián Quintana
Director:
Esteban Wolfenson
Director of Photography:
María Emilia Prodan
Dresser:
Inés Zysman
Editor:
Franco Saffeni
Electrician:
Tamara Segovia
Ernesto López
Néstor Andaloro
Rubén Bejarano
Carolina Battaglini Pucheta
Focus Puller:
Nicole Perren
Gaffer:
Mariana Kacef
Grip:
Jesica Nahir Bogarín
Makeup & Hair:
Catalina Sikorski
Makeup Artist:
Catalina Sikorski
Producer:
Julieta Juncadella
Producer's Assistant:
Ana Inés Khoring
Props:
Catalina Sikorski
Set Costumer:
Catalina Sikorski
Set Decoration:
Gabriela Zimmerman
Sound Director:
Tomás Ramos
Stunt Double:
Pablo Caastro
Visual Effects:
Esteban Wolfenson
Writer:
Fernando Gabriel Rodil
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.