A work in constant progress (and occasional regress).
Release Date:
July 23, 1999
Original Title:
The Haunting
Alternate Titles:
Bântuirea
Das Geisterschloẞ
La maldición
Posednuće
Prizrak doma na kholme
Pryvyd budynku na pahorbi
Svŭrtalishte na dukhove
The Haunting of Hill House
The Legend of Hill House
To stoiheiomeno spiti
Genres:
Fantasy | Horror | Mystery | Thriller
Production Companies:
DreamWorks Pictures
Roth-Arnold Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CH: 16 CZ: 12+ DE: 12 FR: TP GB: 12 HU: 16 IE: 15 NL: 16 PL: 16 PT: M/16 US: PG-13
Runtime: 113
Dr. David Marrow invites three distinct individuals to the eerie and isolated Hill House to be subjects for a sleep disorder study. The unfortunate guests discover that Marrow is far more interested in the sinister mansion itself — and they soon see the true nature of its horror.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Artist:
Wes Burian
ADR & Dubbing:
Larry Singer
ADR Editor:
Denise Whiting
ADR Mixer:
Robert Deschaine
ADR Recordist:
Tami Treadwell
ADR Voice Casting:
Mickie McGowan
Additional Second Assistant Camera:
Keith Ogier
Aerial Camera:
Jeremy Braben
Animation:
Randy Link
Animation Supervisor:
Blair Clark
Art Department Coordinator:
Brynn McQuade
Art Department Production Assistant:
Patricio M. Farrell
Art Direction:
Martin Laing
Jonathan Lee
Troy Sizemore
Assistant Accountant:
Charlie Araki
Assistant Camera:
Renzo Spirit Buffalo
Assistant Chief Lighting Technician:
Dan Riffel
Assistant Director:
Jana Spotts
Assistant Editor:
Michael Trent
Bryan H. Carroll
Assistant Production Coordinator:
Danielle Fox
Assistant Property Master:
Michael Hansen
Assistant Sound Editor:
Michael Axinn
Associate Producer:
Marty P. Ewing
Best Boy Grip:
Dana Baker
Boom Operator:
Harrison D. Marsh
Camera Loader:
Heather Green
Camera Operator:
Gregory Lundsgaard
Carpenter:
Scott Lafferty
Casting:
Randi Hiller
Casting Assistant:
Tanaz Akhlaghi
Chef:
Gary Ferraro
Color Timer:
David Orr
Compositing Supervisor:
Brennan Doyle
Conceptual Illustrator:
Cristiano Donzelli
Conductor:
Jerry Goldsmith
Construction Buyer:
Robert Allen
Construction Coordinator:
Stacey S. McIntosh
Costume Design:
Ellen Mirojnick
Danny Ned Moore
Costume Supervisor:
Deborah Hopper
Craft Service:
Orlando Chongo
Dialect Coach:
Joy Ellison
Dialogue Editor:
Jonathan Null
Digital Compositors:
Alan Boucek
Director:
Jan de Bont
Director of Photography:
Karl Walter Lindenlaub
Dolly Grip:
Andreas Crawford
Driver:
Chet Badalato
Editor:
Michael Kahn
Editorial Production Assistant:
Brian Dettor
Editorial Services:
Donald Dowd
Electrician:
James Barrett
Executive Producer:
Jan de Bont
Samuel Z. Arkoff
First Assistant Camera:
Jamie Barber
First Assistant Director:
Josh McLaglen
First Assistant Editor:
Richard Byard
Foley Artist:
Dennie Thorpe
Foley Mixer:
Tony Eckert
Foley Recordist:
Frank 'Pepe' Merel
Foley Supervisor:
Sandina Bailo-Lape
Gaffer:
Stewart Hadley
Grip:
Loren Corl
Hairstylist:
Karyn Huston
Head of Research:
Douglas Epps
I/O Supervisor:
David Rosenthal
Intern:
Lauren Raquel Pusich
Key Costumer:
Lynda Foote
Key Hair Stylist:
Judith A. Cory
Key Rigging Grip:
Matt Floyd
Key Set Production Assistant:
Ben Smith
Leadman:
Larry A. Cornick
Lighting Technician:
Steven Strong
Location Manager:
Peter M. Tobyansen
Makeup Artist:
Jean Ann Black
Music Editor:
Darrell Hall
Music Programmer:
Nick Vidar
Negative Cutter:
Gary Burritt
Novel:
Shirley Jackson
Orchestrator:
Alexander Courage
Original Music Composer:
Jerry Goldsmith
Painter:
Gloria Ciraolo
Payroll Accountant:
Daniel Myers Boone
Picture Car Coordinator:
Dennis Marchant
Post Production Assistant:
Kevin Du Toit
Post Production Coordinator:
Sven E. Fahlgren
Post Production Supervisor:
Erica Frauman
Producer:
Susan Arnold
Colin Wilson
Donna Roth
Production Accountant:
Elena Holden Tuens
Production Assistant:
Kirk Jung
Production Controller:
Jim Turner
Production Coordinator:
Marilyn Clarke
Production Design:
Eugenio Zanetti
Production Executive:
Steven R. Molen
Production Illustrator:
François Audouy
Production Manager:
Roger Rohrbach
Production Secretary:
Danika Kohler Doman
Production Sound Mixer:
David John
Projection:
Gerry Taylor
Property Buyer:
Karin L. McGaughey
Property Master:
Brian Payne
Propmaker:
Alan Alvarado
Researcher:
Alessandra Taddei
Rigging Gaffer:
Brian Lukas
Rigging Grip:
Jeff Brinker
Rotoscoping Artist:
Dan Feinstein
Screenplay:
David Self
Sculptor:
Fred Arbegast
Second Assistant Camera:
Paul DeMarte
Second Second Assistant Director:
Kate Hazell
Set Costumer:
Ann Culotta
Set Decoration:
Cindy Carr
Set Designer:
Mick Cukurs
Set Dressing Artist:
Edmond Scott Ratliff
Set Medic:
Marie Nashold
Sound Design Assistant:
Shannon Mills
Sound Designer:
Gary Rydstrom
Sound Effects Editor:
Teresa Eckton
Sound Mix Technician:
Juan Peralta
Sound Re-Recording Mixer:
Gary Summers
Special Effects Assistant:
Taylor Ball
Special Effects Coordinator:
John Frazier
Special Effects Supervisor:
Martin Gutteridge
Special Effects Technician:
Jem Lovett
Stand In:
Candace Brokaw
Standby Painter:
Charles 'Chuck' Lungren
Steadicam Operator:
Colin Anderson
Still Photographer:
Frank Masi
Storyboard Artist:
Robert Consing
Stunt Coordinator:
Tim A. Davison
Stunt Double:
Jimmy N. Roberts
Joanna Shelmidine
Sandy Berumen
Mark Vanselow
Stunts:
Sandy Berumen
Anita Hart
Jennifer Caputo
Supervising Art Director:
Tomas Voth
Supervising Music Editor:
Kenneth Hall
Supervising Sound Editor:
Frank E. Eulner
Ethan Van der Ryn
Swing:
Dean Lakoff
Systems Administrators & Support:
Steve Ginsberg
Transportation Coordinator:
Gary Shephard
Unit Production Manager:
Marty P. Ewing
Unit Publicist:
Amanda Brand
Utility Stunts:
Troy Robinson
Video Assist Operator:
Mark Suveg
Visual Effects Art Director:
Paula Lucchesi
Visual Effects Coordinator:
Alexandra Altrocchi
Visual Effects Editor:
John Bartle
Visual Effects Producer:
Roni McKinley
Visual Effects Supervisor:
Phil Tippett
Scott Farrar
Wigmaker:
Justin Ditter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.