The Haunting (1999) [PG-13]

Release Date:
July 23, 1999

Original Title:
The Haunting

Alternate Titles:
Bântuirea
Das Geisterschloẞ
La maldición
Posednuće
Prizrak doma na kholme
Pryvyd budynku na pahorbi
Svŭrtalishte na dukhove
The Haunting of Hill House
The Legend of Hill House
To stoiheiomeno spiti

Genres:
Fantasy | Horror | Mystery | Thriller

Production Companies:
DreamWorks Pictures
Roth-Arnold Productions

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: 14  CH: 16  CZ: 12+  DE: 12  FR: TP  GB: 12  HU: 16  IE: 15  NL: 16  PL: 16  PT: M/16  US: PG-13 

Runtime: 113

Some houses are born bad.

Dr. David Marrow invites three distinct individuals to the eerie and isolated Hill House to be subjects for a sleep disorder study. The unfortunate guests discover that Marrow is far more interested in the sinister mansion itself — and they soon see the true nature of its horror.

Additional information:

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3D Artist:
Wes Burian

ADR & Dubbing:
Larry Singer

ADR Editor:
Denise Whiting

ADR Mixer:
Robert Deschaine

ADR Recordist:
Tami Treadwell

ADR Voice Casting:
Mickie McGowan

Additional Second Assistant Camera:
Keith Ogier

Aerial Camera:
Jeremy Braben

Animation:
Randy Link

Animation Supervisor:
Blair Clark

Art Department Coordinator:
Brynn McQuade

Art Department Production Assistant:
Patricio M. Farrell

Art Direction:
Martin Laing
Jonathan Lee
Troy Sizemore

Assistant Accountant:
Charlie Araki

Assistant Camera:
Renzo Spirit Buffalo

Assistant Chief Lighting Technician:
Dan Riffel

Assistant Director:
Jana Spotts

Assistant Editor:
Michael Trent
Bryan H. Carroll

Assistant Production Coordinator:
Danielle Fox

Assistant Property Master:
Michael Hansen

Assistant Sound Editor:
Michael Axinn

Associate Producer:
Marty P. Ewing

Best Boy Grip:
Dana Baker

Boom Operator:
Harrison D. Marsh

Camera Loader:
Heather Green

Camera Operator:
Gregory Lundsgaard

Carpenter:
Scott Lafferty

Casting:
Randi Hiller

Casting Assistant:
Tanaz Akhlaghi

Chef:
Gary Ferraro

Color Timer:
David Orr

Compositing Supervisor:
Brennan Doyle

Conceptual Illustrator:
Cristiano Donzelli

Conductor:
Jerry Goldsmith

Construction Buyer:
Robert Allen

Construction Coordinator:
Stacey S. McIntosh

Costume Design:
Ellen Mirojnick
Danny Ned Moore

Costume Supervisor:
Deborah Hopper

Craft Service:
Orlando Chongo

Dialect Coach:
Joy Ellison

Dialogue Editor:
Jonathan Null

Digital Compositors:
Alan Boucek

Director:
Jan de Bont

Director of Photography:
Karl Walter Lindenlaub

Dolly Grip:
Andreas Crawford

Driver:
Chet Badalato

Editor:
Michael Kahn

Editorial Production Assistant:
Brian Dettor

Editorial Services:
Donald Dowd

Electrician:
James Barrett

Executive Producer:
Jan de Bont
Samuel Z. Arkoff

First Assistant Camera:
Jamie Barber

First Assistant Director:
Josh McLaglen

First Assistant Editor:
Richard Byard

Foley Artist:
Dennie Thorpe

Foley Mixer:
Tony Eckert

Foley Recordist:
Frank 'Pepe' Merel

Foley Supervisor:
Sandina Bailo-Lape

Gaffer:
Stewart Hadley

Grip:
Loren Corl

Hairstylist:
Karyn Huston

Head of Research:
Douglas Epps

I/O Supervisor:
David Rosenthal

Intern:
Lauren Raquel Pusich

Key Costumer:
Lynda Foote

Key Hair Stylist:
Judith A. Cory

Key Rigging Grip:
Matt Floyd

Key Set Production Assistant:
Ben Smith

Leadman:
Larry A. Cornick

Lighting Technician:
Steven Strong

Location Manager:
Peter M. Tobyansen

Makeup Artist:
Jean Ann Black

Music Editor:
Darrell Hall

Music Programmer:
Nick Vidar

Negative Cutter:
Gary Burritt

Novel:
Shirley Jackson

Orchestrator:
Alexander Courage

Original Music Composer:
Jerry Goldsmith

Painter:
Gloria Ciraolo

Payroll Accountant:
Daniel Myers Boone

Picture Car Coordinator:
Dennis Marchant

Post Production Assistant:
Kevin Du Toit

Post Production Coordinator:
Sven E. Fahlgren

Post Production Supervisor:
Erica Frauman

Producer:
Susan Arnold
Colin Wilson
Donna Roth

Production Accountant:
Elena Holden Tuens

Production Assistant:
Kirk Jung

Production Controller:
Jim Turner

Production Coordinator:
Marilyn Clarke

Production Design:
Eugenio Zanetti

Production Executive:
Steven R. Molen

Production Illustrator:
François Audouy

Production Manager:
Roger Rohrbach

Production Secretary:
Danika Kohler Doman

Production Sound Mixer:
David John

Projection:
Gerry Taylor

Property Buyer:
Karin L. McGaughey

Property Master:
Brian Payne

Propmaker:
Alan Alvarado

Researcher:
Alessandra Taddei

Rigging Gaffer:
Brian Lukas

Rigging Grip:
Jeff Brinker

Rotoscoping Artist:
Dan Feinstein

Screenplay:
David Self

Sculptor:
Fred Arbegast

Second Assistant Camera:
Paul DeMarte

Second Second Assistant Director:
Kate Hazell

Set Costumer:
Ann Culotta

Set Decoration:
Cindy Carr

Set Designer:
Mick Cukurs

Set Dressing Artist:
Edmond Scott Ratliff

Set Medic:
Marie Nashold

Sound Design Assistant:
Shannon Mills

Sound Designer:
Gary Rydstrom

Sound Effects Editor:
Teresa Eckton

Sound Mix Technician:
Juan Peralta

Sound Re-Recording Mixer:
Gary Summers

Special Effects Assistant:
Taylor Ball

Special Effects Coordinator:
John Frazier

Special Effects Supervisor:
Martin Gutteridge

Special Effects Technician:
Jem Lovett

Stand In:
Candace Brokaw

Standby Painter:
Charles 'Chuck' Lungren

Steadicam Operator:
Colin Anderson

Still Photographer:
Frank Masi

Storyboard Artist:
Robert Consing

Stunt Coordinator:
Tim A. Davison

Stunt Double:
Jimmy N. Roberts
Joanna Shelmidine
Sandy Berumen
Mark Vanselow

Stunts:
Sandy Berumen
Anita Hart
Jennifer Caputo

Supervising Art Director:
Tomas Voth

Supervising Music Editor:
Kenneth Hall

Supervising Sound Editor:
Frank E. Eulner
Ethan Van der Ryn

Swing:
Dean Lakoff

Systems Administrators & Support:
Steve Ginsberg

Transportation Coordinator:
Gary Shephard

Unit Production Manager:
Marty P. Ewing

Unit Publicist:
Amanda Brand

Utility Stunts:
Troy Robinson

Video Assist Operator:
Mark Suveg

Visual Effects Art Director:
Paula Lucchesi

Visual Effects Coordinator:
Alexandra Altrocchi

Visual Effects Editor:
John Bartle

Visual Effects Producer:
Roni McKinley

Visual Effects Supervisor:
Phil Tippett
Scott Farrar

Wigmaker:
Justin Ditter

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