A work in constant progress (and occasional regress).
Release Date:
September 24, 2024
Original Title:
TKT (T'inquiètes)
Alternate Titles:
T'inquiète
Genres:
Comedy | Drama | Fantasy
Production Companies:
Beluga Tree
Deal Productions
Production Countries:
Belgium
Ratings / Certifications:
N/A
Runtime: 93
Confident and popular sixteen-year-old Emma is in a coma. Why? What happened to her? To find out, she becomes an invisible “ghost” for a few days. She can see all, hear all, and dive back into her memories to rebuild her story.
ADR Supervisor:
Anais Letiexhe
Additional First Assistant Camera:
Roman Roobaert
Assistant Editor:
Jean-Baptiste Perrin
Enzo Schiro
Associate Producer:
Philippe Logie
Boom Operator:
Renaud Dufour
Julien Vanhée
Casting:
Michaël Bier
Colorist:
Loup Brenta
Dialogue Editor:
Marc Alberisio
Director:
Solange Cicurel
Director of Photography:
Son Doan
Electrician:
Johan Boucher
Thaïs Play David
Alisson Keyaert
Lucas Marbach
First Assistant Camera:
Thibault Walckiers
Foley Artist:
Julien Baissat
Foley Editor:
Florent Gailly
Foley Mixer:
David Gérain
Gaffer:
Olivier Dirksen
Grip:
Oscar Haezenberghe
Martin Vervisch
Hairstylist:
Gruslin Catherine
Key Grip:
Mauzé Jonathan
Location Scout:
Isabelle Lits
Music Supervisor:
Mounir Hathout
Original Music Composer:
Rémy Lebbos
Post Production Supervisor:
Charlotte Duliere
Producer:
Diana Elbaum
David Ragonig
Production Coordinator:
Lucas Stephanik
Production Manager:
Charles Kinoo
Props:
Charlie Cantraine
Second Assistant Camera:
Anne Fotso
Second Assistant Director:
Laurent Cavallotto
Sound Editor:
Gervaise Demeure
Sound Recordist:
Rainier Buidin
Steadicam Operator:
Martial Viel
Third Assistant Camera:
Etienne Paillet
Third Assistant Director:
Eloïse Berteau
Writer:
Solange Cicurel
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.