A work in constant progress (and occasional regress).
Release Date:
October 26, 2005
Original Title:
Match Point
Alternate Titles:
Hra osudu
La Provocación
Match Point
Match Point - Hra osudu
Nekoudat mifgash
Ponto Final
迷失決勝分
매치 포인트
Genres:
Crime | Drama | Romance | Thriller
Production Companies:
BBC Film
Jada Productions
Thema Production
Production Countries:
Luxembourg | United Kingdom | United States of America
Ratings / Certifications:
AT: 6 AU: M BR: 14 CH: 6 DE: 6 FR: U GB: 12A GR: 16 HU: 16 IE: 15A KR: 청소년 관람불가 US: R ZA: R
Runtime: 124
Chris, a former tennis player, looks for work as an instructor. He meets Tom Hewett, a wealthy young man whose sister Chloe falls in love with Chris. But Chris has his eye on Tom's fiancee Nola.
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Art Direction:
Diane Dancklefsen
Jan Spoczynski
Assistant Accountant:
Kerry Smith
Assistant Art Director:
Oliver Goodier
Assistant Costume Designer:
Charlotte Sewell
Assistant Editor:
Katy Skjerping
Assistant Location Manager:
Lee Robertson
Joseph Jayawardena
Aurelia Thomas
Assistant Production Coordinator:
Carrie-Ann Banner
Assistant Sound Editor:
Akil Wilson
Best Boy Electric:
Mark Funnell
Boom Operator:
Shaun Mills
Camera Operator:
Remi Adefarasin
Casting:
Juliet Taylor
Patricia Kerrigan DiCerto
Gail Stevens
Casting Assistant:
Will Davies
Julie Schubert
David Wheal
Casting Associate:
Claire Saunders
Clapper Loader:
John Adefarasin
Co-Executive Producer:
Charles H. Joffe
Jack Rollins
Co-Producer:
Helen Robin
Construction Manager:
Steve Bohan
Costume Design:
Jill Taylor
Dialogue Editor:
Sylvia Menno
Director:
Woody Allen
Director of Photography:
Remi Adefarasin
Dolby Consultant:
Thomas Kodros
Dressing Prop:
Eddie Baker
Roy O'Connor
Driver:
Waseem Barlas
Ron Narduzzo
Simon Saunders
Darren Thackeray
Editor:
Alisa Lepselter
Electrician:
Dennis Holliday
Tony Burns
First Assistant Director:
Christopher Newman
First Assistant Editor:
Morgan Neville
Focus Puller:
David Cozens
Foley Artist:
Nancy Cabrera
Foley Recording Engineer:
Ryan Collison
Gaffer:
Jimmy Wilson
Grip:
John Arnold
Hair Designer:
Sallie Jaye
Hairstylist:
Paul Mooney
Location Assistant:
Finlay Bradbury
Location Coordinator:
Lucy Foulds
Location Manager:
Michael Harm
Sue Quinn
Makeup Artist:
Carmel Jackson
Sharon Martin
Makeup Designer:
Sallie Jaye
Music:
Martin Crewes
Music Arranger:
Martin Crewes
Musical Casting:
Martin Crewes
Musician:
Martin Crewes
Post Production Accountant:
Pietro Lorino, Jr.
Post Production Coordinator:
Scott Kordish
Producer:
Nicky Kentish Barnes
Letty Aronson
Stephen Tenenbaum
Gareth Wiley
Production Accountant:
Louise O'Malley
Production Coordinator:
Francesca Dowd
Production Design:
Jim Clay
Production Sound Mixer:
Peter Glossop
Property Master:
Philip McDonald
Props:
Les Benson
Rigging Gaffer:
Ian Franklin
Script Supervisor:
Kim Armitage
Second Assistant Director:
Richard Goodwin
Set Decoration:
Caroline Smith
Sound Assistant:
Stephane Malenfant
Sound Editor:
David Wahnon
Sound Effects Editor:
Coll Anderson
Sound Re-Recording Mixer:
Lee Dichter
Stand In:
Nikki Inwood
Steve Morphew
Standby Carpenter:
David Williamson
Standby Painter:
Nick Pearce
Standby Property Master:
Stephen Conway
Standby Rigger:
Robert Hooker
Steadicam Operator:
Roger Tooley
Still Photographer:
Clive Coote
Supervising Carpenter:
David Lowery
John McGee
Eamon McLoughlin
Supervising Sound Editor:
Robert Hein
Third Assistant Director:
Tom Glaisyer
Unit Production Manager:
Tori Parry
Visual Effects Supervisor:
Martin Hobbs
Wardrobe Assistant:
Ella Hastings
David Wootton
Wardrobe Master:
Martin Chitty
Writer:
Woody Allen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.