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House (????) [N/A]

Original Title:
House

Ratings / Certifications:
 N/A

Runtime: 10

Overview from TheMovieDB

The story follows Liza, a woman dealing with severe compulsions and a strained family relationship as she tries to leave her house. She realizes she can’t when the house starts falling apart. Liza tries to put the pieces back together as her house and mental state crumble. Both end up completely falling apart in the end, only to reveal the twist. The whole time, Liza’s house was actually a doll house, controlled by the Real Liza. The Real Liza, a young child who has no other way to work out her unexpressed emotions, bashes her doll into her dollhouse until it caves and becomes crushed to bits.

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Performers

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Production

Director:
Hannah Martinez

Editor:
Hannah Martinez

Producer:
Ana Lorant
Joie Parma
Mary-Elizabeth Esquibel

Writer:
Hannah Martinez

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.